Malcolm Knox

Late January 2021 brought a moment of anger and anguish for many liberal Australians. Margaret Court, the erstwhile tennis champion turned Pentecostal Christian preacher, had just received Australia’s top honour. Court may have won more grand slam tournaments than any other player, but her record cannot erase a history of derogatory comments about gay and transgender Australians. And yet, I wonder if most Australians didn’t just mentally check out of this latest chapter in a thirty-year kulturkampf over sexual identity. This is a country increasingly willing to live and let live – but not obsess – over such matters.

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Bluebird by Malcolm Knox

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October 2020, no. 425

Malcolm Knox told Kill Your Darlings in 2012 that with The Life (2011), his celebrated surfing novel set on the Gold Coast, he wanted to write a historical novel about the Australian coastline and ‘that moment when one person could live right on the coast on our most treasured waterfront places, and then all of a sudden they couldn’t’. In Bluebird, set on a northern beach a ferry ride from ‘Ocean City’, this brutally undemocratic transformation is promoted from a minor theme to the engine that drives the highbrow soap-opera narrative.

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Second ball, day three of the 2014 Boxing Day Test match and Australian wicket-keeper Brad Haddin dives full length in front of first slip Shane Watson to catch Indian number three batsman Cheteshwar Pujara off Ryan Harris single-handed in the webbing of his glove. Virat Kohli replaces Pujara, and in the last over of the day he is still there, with 169 runs. He flas ...

Let's start with the title. The act of reading is anything but simple, as Fiona McFarlane and Gabrielle Carey both point out. Eyes, brain, and mind cooperate to create from a series of symbols with no intrinsic representative value a coherent message, or some amusing nonsense, or a persuasive argument, or a boring anecdote, or a parade of transparent lies.

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Since the publication of his début novel, Summerland (2000), Malcolm Knox has established himself as one of the most ambitious and exciting fiction writers at work in Australia. A seasoned journalist, recipient of two Walkley Awards– one for his work, with Caroline Overington, in the exposé of Norma Khouri– and prolific author of diverse non-fiction wor ...

The Life  by Malcolm Knox

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June 2011, no. 332

How would Dennis Keith – or, if we’re using the language of legends, DK – characterise it? ‘The Life was this mythic world where you could surf as much as you want, every day, any day, go anywhere [...] Getting waves was everything, every day.’ In Malcolm Knox’s exceptional new novel, this world – with its singular focus, and its sacred ecstasies – is revealed in a language both ...

Graham Swift’s fine novel Last Orders (1996) is propelled by the motif of a group of middle-aged men, with a shared past, brought together again by a single goal. In their case, it is the matter of casting the ashes of a dead friend into the sea. The narrative dips into the characters’ past to acquaint us with the nature of the ties that bind – have bound – them to each other and to the dead man.

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Gabriel García Márquez once said that all of us lead three different lives simultaneously: public, private, and secret. In his second novel, A Private Man, Malcolm Knox explores two very secret recesses of the modern Australian male’s experience: porn and sport. That both these spheres also have a very public face merely allows for these secret experiences to be played out in front of a paying audience as either tragedy or farce, or sometimes both.

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The Art of the Engine Driver by Stephen Carroll & Summerland: A Novel by Malcolm Knox

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November 2001, no. 236

If history is a graveyard of dead aristocracies, the novel is their eulogy. It is now, for instance, a critical commonplace to explain the young Proust’s entry into the closed world of France’s nobility as an occurrence made possible by its dissolution. Close to death, holding only vestigial power, the fag ends of the ancien régime lost the will or ...

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