A new Susan Johnson novel is always a treat, partly because you get the sense that with each one she has set herself a specific creative challenge, and partly because she is such a fine writer. In From Where I Fell (Allen & Unwin, $32.99 pb, 338 pp), the epistolary novel, popular in the nineteenth century, has been updated, with the entire work in the form of emails. Nothing new in that, but what makes this different is that the contemporary problem of emailing someone unintentionally is followed through with that intellectually teasing ‘what if’ thread: what if the person you accidentally contacted was someone with whom you wanted to keep communicating? What if this person was someone to whom you could confess your most private thoughts? And what if this person never responded in a conventional manner?... (read more)
Determining connections between books sent as a review bundle is not mandatory, but there is an irresistible tendency to find some common theme. In the case of these three novels, the theme of women’s pain, and hidden pain at that, does not need to be teased out – it leaps out. Since it is unlikely that three different authors would have colluded, the prevalence of this is worth deeper reflection, especially considering recent titles such as Kylie Maslen’s essays on illness, Show Me Where It Hurts, or Kate Middleton’s extraordinary memoir essay ‘The Dolorimeter’, placed second in the 2020 Calibre Prize.... (read more)
The Innocent Reader by Debra Adelaide & Wild About Books by Michael Wilding
Generally where I am right now, in my study writing, but also in the garden. It is very uncomplicated.... (read more)
The Simple Act of Reading edited by Debra Adelaide
Early success is no guarantee of a book’s continued availability or circulation. Some major and/or once-fashionable authors recede from public consciousness, and in some cases go out of print. We invited some writers and critics to identity novelists who they feel should be better known.