Artificial Intelligence

In May 2021, scientists at Woebot Health, a US-based artificial intelligence company, published a paper titled ‘Evidence of Human-Level Bonds Established with a Digital Conversational Agent’. Reading it back then, I felt like a door had suddenly opened from nowhere. But not just any door: this one led directly to a passage into human inner life and one of its most intimate dimensions: the nature and experience of emotional bonding.

Man-Made: How the bias of the past is being built into the future recounts findings from a six-year ‘mission’ to ‘identify the villains’ in the world of Artificial Intelligence (AI). Uncovering the history and future of AI through a feminist lens, Tracey Spicer puts the conservatism at the heart of these oft-touted ‘revolutionary technologies’ on full display. Spicer contextualises AI’s current omnipresence in a world ruled by money, the military, and men. Interlacing an impressive range of vignettes, Man-Made introduces the reader to everything from AI’s origins in women’s weaving, to racist soap dispensers, to Sexbots, to gaming, to driverless cars, to childcare robots, to the end of humanity.

Hassled by deadlines and stricken by illness, I made a very modern deal with the devil. I asked ChatGPT to help me review David Cohen’s new short story collection, The Terrible Event. For the past few months, this text generating tool has made news by using AI technology to write everything from A+ high-school essays to faux-Nick Cave lyrics. Surely, then, it could provide some scaffolding for a thousand-word book review, a few handholds to help a tired reviewer scurry over this task and on to the next?

The age of Artificial Intelligence (AI) has arrived, though not so much an age of sentient robots as one of ubiquitous data collection and analysis fuelling automated decisions, categorisations, predictions, and recommendations in all walks of life. The stakes of AI-enabled decision-making may be as serious as life and death (Spanish police use a system called VioGén to forecast domestic violence) or as trivial as the arrangement of pizza-toppings.

In her novel Frankissstein (2019) – a reimagining of Mary Shelley’s Frankenstein (1818) that embraces robotics, artificial intelligence (AI), and transhumanism – Jeanette Winterson writes, ‘The monster once made cannot be unmade. What will happen to the world has begun.’  This observation might have served as an epigraph for her new book, 12 Bytes. Comprising twelve essays that ruminate on the future of AI and ‘Big Tech’, 12 Bytes contends that looming technological advances will demand not only resistance to the prejudices and inequalities endemic in our current social order, but also a reconsideration of what it means to be human: ‘In the next decade … the internet of things will start the forced evolution and gradual dissolution of Homo sapiens as we know it.’