Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Alexander Pope

If you are looking for the perfect command of voice, Alexander Pope is your poet. It is not just desiccated eighteenth-century rationalists who say this, my Keats-scholar friend Will Christie thinks so too. This is despite the fact that there is zero negative capability in Pope, ‘when man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason’. His ironies are precise riddles to be sprung, his judgements instant aphorisms. Pope writes exactly what he means, and it lands exactly on target.

... (read more)

An Essay on Man by Alexander Pope, edited by Tom Jones

by
December 2016, no. 387

For the novice, Alexander Pope’s couplets can seem a numbing wilderness of equipoise – rhyme balanced against rhyme, half lines balanced around the caesura, regular iambs marching on to the end of pentametrical time (alternatively ‘to the edge of doom’). With a bit of experience as a reader, however, it is the wrought tension of Pope’s couplets that fascin ...