Finally liberated from the solitude of our lounge rooms and Netflix subscriptions, sitting in Melbourne’s Regent Theatre shoulder-to-shoulder on Wednesday night felt like a forbidden treat. The palpable exuberance of being back on the town, though, was tempered by a profound appreciation of our delicately privileged position. As the first major opera performance in Melbourne after a protracted Covid shutdown of the live performing arts, Melbourne Opera’s Das Rheingold marks an important moment in the cultural life of the city – the beginning both of Richard Wagner’s Ring Cycle and of a new chapter in the living operatic history of Melbourne.... (read more)
Wagnerism: Art and politics in the shadow of music by Alex Ross
Passions have always run high in the Wagner dynasty. Richard, the patriarch, waged a lifelong battle to impose his vision of a purified German art – freed of decadent foreign influences – on a sceptical, at times overtly hostile, culture. His great-grandson Gottfried, who bears a striking physical resemblance to his forebear, is equally dedicated to his mission in life: to alert the world to the intrinsic evil and pernicious influence of Wagner’s works. The cost has been considerable. As he recounts in his obsessive autobiography, The Wagner Legacy (Sanctuary Publishing, 1998 and 2000), he has been disowned by his father, Wolfgang (who has been sole Director of the Bayreuth Festival since 1966), reviled by Wagner enthusiasts in Europe and America, denied every opportunity of working in theatres and opera houses, slandered and even hounded, on occasions, by death threats. Yet, in circumstances where others might have been tempted to throw in the towel, he continues to roam the world, delivering lectures, participating in seminars and discussion- groups with a single-minded aim – to atone for the great evil his family unleashed from their stronghold in the pleasant, nondescript little town of Bayreuth, where the faithful gather each summer to worship the Master, and perhaps to remember the Master’s greatest disciple, the Führer, the intimate friend of Winifred Wagner, Gottfried’s grandmother.... (read more)
Richard Wagner: A Life in Music by Martin Geck (translated by Stewart Spencer)
So here we are, talking about the so-called Cult of Wagner. No wonder some people recoil from the German composer, given such terminology. It’s not a new coinage of course, but it’s a fairly dubious one. One old acquaintance of mine, on hearing about this event, sent me an email demanding to know: ‘You are not besotted with it, are you??? Are you one of those ...