Lisa Gorton

Lexicographers, not just newspapers and television, respond to disasters. Language is never fixed, never finished, never done. In recent months, language has been shaped by the coronavirus. In this episode, Amanda Laugesen, director of the Australian National Dictionary Centre at ANU and editor of The Australian National Dictionary, discusses coronaspeak, the language of lockdown. 

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Lisa Gorton began publishing in ABR in 2003. Since then she's given us several dozen review essays and poems. Lisa has published three poetry collections, most recently the acclaimed Empirical, a Giramondo publication. Her novel, The Life of Houses, shared the 2016 Prime Minister's Literary Award for Fiction. 

This month we published Lisa's long poem 'On the Characterisation of Male Poets' Mothers'. As Lisa explains, the poem almost entirely comprises a medley of quotes that describe famous poets' mothers – sourced all from Wikipedia.

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I
Charles Baudelaire’s mother—
                       orphaned at seven—living
                       on the charity of friends—
                       at twenty-six married
                       an ex-priest, widower—     
After her husband died she married again
                       and was happy—

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John CoetzeeJ.M. Coetzee was born in South Africa and educated in South Africa and the United States. ...

It is strangely moving to learn how a reader thinks about something I’ve written. Mostly, I’ve been lucky to have reviewers who crystallise, for me, some pattern in my thinking or inchoate hope for the work. It helps me to start something new. I learn as much, perhaps, from reviews of other people’s work – other approaches, a sense of connection.

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In her latest collection of poems, Empirical, Lisa Gorton demonstrates – definitively and elegantly – how large, apparently simple creative decisions (employing catalogues or lists; quoting from the archive; engaging in ekphrasis or description) can produce compelling and complex poetic forms.

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In this intelligent and unusual play, director Peta Hanrahan arranges Virginia Woolf’s great essay A Room of One’s Own into an hour-long play for four voices. Curiously, perhaps, it works so well as a play because of how well Hanrahan has read the essay.

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To celebrate the best books of 2018, Australian Book Review invited nearly forty contributors to nominate their favourite titles. Contributors include Michelle de Kretser

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‘You’ve seen the hands of statues that men have set by gateways.’

Lucretius

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– if that indeed can be called composition –
wrote Coleridge –
in which the images rose up before him as things –

‘In the summer of the year – the Author, then in ill health, had
retired to a lonely farmhouse – ’
where, seated in his illeism by a window, the Author passed
into the background of his imagery –
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