Julie Ewington

This beautiful book is ostensibly a conventional art monograph. In its innovative tweaking of the standard model, however, Centre of the Centre is one of the most rewarding publications about an Australian artist in recent years. Exploring two decades of ambitious work by Mel O’Callaghan, an Australian based in Paris, the book begins now, with her latest projects. In a quasi-geological enterprise, it then mines works whose interconnected seams comprise expansive video installations, sometimes including objects; wonderful paintings on glass; and, always, performed actions. Speaking about Parade (2014), Juliana Engberg noted the ‘ritualised, Sisyphean endeavour’ characterising O’Callaghan’s work.

... (read more)

A Place to Paint: Colin McCahon in Auckland

Julie Ewington
Wednesday, 18 December 2019

New Zealander Colin McCahon is the greatest postwar artist of the two antipodean countries. Hands down. In his own country, McCahon (1919–87) is a household name, and the exhibition A Place to Paint: Colin McCahon in Auckland at Auckland Art Gallery Toi o Tāmaki, and the associated publication of Justin Paton’s McCahon Country (Penguin Books), celebrate his centenary. Surprisingly, though, many Australians don’t know McCahon’s work.

... (read more)

Arts Highlights of the Year

Robyn Archer et al.
Monday, 26 October 2015

To highlight Australian Book Review's arts coverage and to celebrate some of the year's memorable concerts, operas, films, ballets, plays, and exhibitions, we invited a group of critics and arts professionals to nominate their favourites – and to nominate one production they are looking forward to in 2016. (We indicate which works were reviewed in Arts Up ...