Picador

Poor old Sydney. If it isn’t being described as crass and culturally superficial, it’s being condemned for allowing developers to obliterate whatever natural beauty it ever had. Is it doomed, will it survive, and if so, what kind of city is it likely to be?

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The timing was apt. In September, Fake Law: The truth about justice in an age of lies – written by pseudonymous British writer ‘The Secret Barrister’ – was published in Australia. The same month, President Donald Trump nominated Amy Coney Barrett to the Supreme Court of the United States following the untimely death of Ruth Bader Ginsburg. From two legal systems that have historically influenced ours came salutary warnings about the ill effects of law’s politicisation.

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Don Anderson reviews 'The Silence: A novel' by Don DeLillo

Don Anderson
Wednesday, 25 November 2020

‘Literary talent,’ writes Martin Amis in his new ‘novel’, Inside Story, ‘has perhaps four or five ways of dying. Most writers simply become watery and subtly stale.’ Not so the eighty-three-year-old Don DeLillo, who has published seventeen novels over the last fifty years, all of them muscular, intelligent, prescient. In 1988, he told an interviewer from Rolling Stone, ‘I think fiction rescues history from its confusions.’

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One of the frustrating things about being a historian is the number of times you are told by others that surely everything in your specialty must already have been ‘done’. After so many decades or centuries, what more could there possibly be to discover? One of the answers is that what interests scholars, and what topics are considered worthy of examination, changes over time. This explains how ‘new’ material – often sitting in the archives for centuries – comes to light. It also explains why women have not always made the cut, a problem compounded, as recent Twitter discussions have highlighted, by how often research about women by female scholars still goes unpublished.

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Sonia Nair reviews 'Lucky’s' by Andrew Pippos

Sonia Nair
Thursday, 22 October 2020

In Andrew Pippos’s immersive and multi-layered début novel, Lucky’s, a tragic shooting that occurs in the last bastion of a Greek-Australian restaurant franchise becomes the fulcrum around which mental health, heartbreak, displacement, and toxic masculinity are explored.

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Georgia White reviews 'Flyaway' by Kathleen Jennings

Georgia White
Thursday, 22 October 2020

At the heart of every fairy tale, there is violence: Snow White’s stepmother calling for her heart on a platter, Cinderella’s sisters mutilating their feet to fit the silver shoe. ‘All the better to eat you with, my dear,’ says the wolf, his belly already stuffed with grandmother’s flesh. From this bloodletting, the fairy tale tries to spin something wondrous, turning straw into gold and men into beasts.

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Lyn Jacobs reviews 'Excavation' by Gig Ryan

Lyn Jacobs
Thursday, 03 September 2020

This is a distinctive and unsettling voice, one that doesn’t have time for overly polite concessions to our finer feelings. You either keep pace (and it’s compelling) or stand aside as the spadework gets done. Reading this poetry, we are involved in an unearthing of past events and made witness to the laying bare of personal response. But there’s nothing self-indulgent or hollow about Gig Ryan’s disinterment. The poetry has a sometimes shocking immediacy, a curious mixture of fierceness and vulnerability that conveys feeling with integrity.

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In the early nineteenth century, Sequoyah, a Cherokee man living in Alabama, developed a fundamentally new system of writing Cherokee, which had until then not been a written language. Sequoyah’s system – properly a syllabary rather than an alphabet, in that it represents the eighty-five syllables used in Cherokee – is fascinating, innovative, and remains in use today. But in what order did those fabulous syllables go? Sequoyah provided a chart, but the missionary Samuel Worcester quickly rearranged it to suit English alphabetic order. Language was power, and ‘alphabetic order’ proved not to be neutral.

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When the book arrived for review, a paperback of 656 pages, my heart sank. Americans are the world’s greatest researchers. Reading it would be like drinking from a fire hose. But it began incisively, with a turning point in the 2008 presidential campaign that established Obama’s audacity as a ‘complex, cautious, intelligent, shrewd, young African-American man’ who would project his ambitions and hopes as the aspirations of the United States of America itself. Soon we were in Kenya, with Tom Mboya, Jomo Kenyatta, the Mau Mau uprising, and Barack Hussein Obama Sr, a promising young economist with a rich, musical voice and a confident manner on his way to the University of Hawaii. We also meet the most compelling character in the book, perhaps in Obama’s life: his mother, a seventeen-year-old from Kansas, intrepid and idealistic, who takes up with the dasher from Kenya, becomes pregnant and marries him.

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Lyn Jacobs reviews 'Blue Notes' by Laurie Duggan

Lyn Jacobs
Friday, 12 June 2020

This collection of poetry is similarly accommodating. It is shaped by four quite different tonal movements: ‘All Blues’ (eight lyrics closely observing the ‘still life’ within season, art-work, society and self), ‘Trans-Europe Express’ (a travelogue of past times and places where conscious reflection momentarily counters the movement and cross-currents of historical process), ‘Dogs’ (where Diogenes’ cynicism is invoked to ‘lower the tone’, reminding me of the blues singer’s injunction to ‘laugh just to keep from crying’) and ‘More Blues’ (where episodic vistas of ‘blue hills’ unfold from Tailem Bend to Mount Segur). The collection ends with a nine-part retrospective called ‘The Front’ which is partly about the art of making poetry or music in the face of ‘prevailing imagery’. Here a littoral between performance and reputation is reached as today’s determined play with a language is set against inherited ‘fixed ideas’.

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