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Monash University Publishing

Contemporary Australian parliamentarians tend to be focused firmly on the present. Speechwriters may liberally sprinkle the speeches of politicians with references to a political party’s golden past, but an MP’s sincerest interest in history often emerges when he or she gets around to publishing a memoir of their time in office. A politician’s autobiography is an exercise that encourages selective, rather than frank, reflection on how history will portray them, their enemies and friends. Some politicians, thankfully, embrace a broader, less self-interested view of the importance of history. Labor Opposition frontbencher Chris Bowen is the latest serving politician to display a commendable fascination with historical research. His new book tells the stories of six relatively forgotten figures who made a strong contribution to the Australian Labor Party.

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In 1942, The Pea Pickers was published by Angus & Robertson in Sydney, garnering high praise for its freshness and poetic invention. A picaresque tale of two sisters who, dressed as boys, earn their living picking seasonal crops in Gippsland in the late 1920s, it impressed Douglas Stewart, literary editor of the Bulletin, with its ‘love of Australian earth and Australian people and skill in painting them’. The author, Eve Langley, was at that time incarcerated in the Auckland Mental Hospital, where she would remain for the next seven years, isolated from her estranged husband and three young children, and from her mother and sister, who were also in New Zealand.

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Leadership by Don Russell & A Decade of Drift by Martin Parkinson

by
July 2021, no. 433

In 1958, the Australian political scientist A.F. Davies (1924–87) published Australian Democracy: An introduction to the political system, one of the first postwar attempts to combine institutional description with comment on the patterns of political culture. It introduced a provocative assertion: Australians have ‘a characteristic talent for bureaucracy’. Disdaining the myth of Australians as shaped by the initiative and improvisation of our bush heritage (Russel Ward’s The Australian Legend was published in the same year), Davies argued:

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Founded in 1831, the British Association for the Advancement of Science (BAAS) sought to redress impediments to scientific progress that arose in the aftermath of the Napoleonic Wars, determining that the BAAS would ‘give a stronger impulse and more systematic direction to scientific inquiry … [and] promote the intercourse of cultivators of science’.

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At the time of writing, Julian Assange – an Australian citizen – is detained at Her Majesty’s Prison Belmarsh in Thamesmead on the outskirts of London. Belmarsh is a high-security facility; Assange’s fellow inmates are terrorists, murderers, and rapists. The WikiLeaks founder is being held in solitary confinement, permitted out of his cell for just one hour each day. His crime? Assange is awaiting the outcome of extradition proceedings, in relation to charges brought against him by the US government. In 2019, he was indicted on one count of computer hacking and seventeen counts of violating the Espionage Act (1917) for his role in obtaining and publishing military and diplomatic documents in 2010.

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It is not surprising that a book on the politicisation of intelligence in Australia should begin and end by referring to the invasion of Iraq in 2003. For many Australians, that episode will long remain the classic example of the misuse of intelligence for partisan political purposes, in sharp contrast to the ideal that intelligence analysts should speak truth to power, giving policymakers their unvarnished assessments, rather than telling them what they want to hear.

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Michael Gawenda’s engaging biography of Melbourne lawyer Mark Leibler traverses matters of Australia’s migration history, Jewish identity, and political influence. What has it meant to live a Jewish life in an Australian city? What have been the intergenerational impacts of the Holocaust, anti-Semitism, and the establishment of the Stat ...

Many have come to Australia in strange circumstances, but the two thousand or so who arrived on the Dunera and Queen Mary in 1940 have one of the most unusual stories. With the outbreak of World War II in September 1939, Germans and Austrians living in the United Kingdom became enemy aliens. In May 1940, with the British Army on the Continent facing destruction and with invasion a very real threat, Winston Churchill ordered every enemy alien in the country arrested and detained. It was, he later realised, a mistake, as most Germans living in the United Kingdom were Hitler’s enemies rather than his supporters, and many were actually refugees from Nazism. But some had already been sent out of the country on ships bound for Australia and Canada. Not since the last convicts had been dropped at Fremantle in 1868 had the British government banished people judged as undesirable to Australia.

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A young Australian radical, who finds academic success later in life, struggles with an inexorable question: what is the relationship between these two worlds: the activist and the scholar? This question animated the life of Vere Gordon Childe, the Australian Marxist and intellectual whose The Dawn of Euro pean Civilization (1925) helped establish modern archaeology, as it has his most recent biographer, activist and labour historian Terry Irving, whose Class Structure in Australian History (1981, with Raewyn Connell) remains a key text.

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Art and Paris meant everything to Agnes Goodsir. ‘You must forgive my enthusiasm,’ she wrote. ‘Nothing else is of the smallest or faintest importance besides that.’ Goodsir was the Australian artist who painted the iconic portrait Girl with Cigarette, now in the Bendigo Art Gallery. It depicts a cool, sophisticated, free-spirited woman of the Parisian boulevards. When Goodsir created it, in 1925 or thereabouts, she had lived in Paris since the turn of the century. Apart from brief visits back to Australia, she stayed there until her death in 1939.

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