James Walter reviews 'Inside the Greens: The origins and future of the party, the people and the politics' by Paddy Manning
In 2016 John Kaye was dying. Once leader of the Greens in New South Wales, he had a final message for his party. ‘This isn’t and never has been about changing government … This is about changing what people expect from government.’ In our era, dogged by chronic distrust of parties and government, it might have served as a rallying cry for people to transform politics by demanding more of their representatives. But Kaye was a man of the left, and in the context of an impending election, as the Greens descended into vicious factional brawls over preselection for his seat, his words unleashed a storm of controversy over the direction of the party.
This is just one among many eruptions of internecine warfare over the purpose of the Greens chronicled in Paddy Manning’s comprehensive history. The survival of the party since 1992, despite the elaboration of a program, and despite its professed commitment to consensual democratic processes, has depended on its leaders: the iconic Bob Brown, then Christine Milne, and lately Richard Di Natale.... (read more)
The recent speech by young Swedish climate-change activist Greta Thunberg has provoked much comment and controversy. It also caused me to ponder the future of our planet and how our cultural lives will be affected by the environmental changes that will inevitably take place by the middle of the twenty-first century ...... (read more)
Sam Leith, literary editor of Spectator magazine, recently put author Benjamin Moser on the spot. ‘Do you think her work will last?’ he asked, referring to the writings of Susan Sontag, whose biography Moser had not long finished. ‘And if so, which of it?’ Moser dissembled bravely. ‘Well, I hope so ...... (read more)
Sophie Knezic reviews 'Present Tense: Anna Schwartz Gallery And Thirty-Five Years Of Contemporary Australian Art' by Doug Hall
When invited by Morry Schwartz, Anna’s husband and proprietor of Schwartz Publishing, which owns Black Inc., to write an account of the Anna Schwartz Gallery (ASG), Doug Hall initially declined but changed his mind after realising that it would enable him to write with a fresh perspective, having returned to Melbourne after twenty years as director of Queensland Art Gallery. The result, Present Tense: Anna Schwartz Gallery and thirty-five years of contemporary Australian art – which takes its title from the 52nd Venice Biennale (2007), Think with the Senses – Feel with the Mind: Art in the Present Tense, curated by Robert Storr – is a periphrastic straddling of art history, social history, and biography, inclined to reminiscence over analysis.
Featuring eighty-nine chapters of varying length, the text mostly provides overviews of the artists represented by ASG, set within a chronicle of Anna Schwartz’s evolution as a gallerist. This broad narration is interspersed with chapters on a few key late-twentieth-century art dealers – sometimes to narrate artist defections to ASG – as well as state museum redesigns, biennales, and even a chapter on Anna’s wardrobe.... (read more)
Morag Fraser reviews 'Ian Fairweather: A life in letters' edited by Claire Roberts and John Thompson
Artist, hermit, instinctive communicator, a nomad who built studio nests for himself all over the globe, Ian Fairweather is a consistent paradox – and an enduring one. In an art world of fragile and fluctuating reputations, his work retains the esteem with which it was received – by his peers – when he landed in Australia in 1934 and, with their help, exhibited almost immediately. His way of life – eccentric, solitary, obsessive – was extraordinary then, and continued so until his death in 1974. Success never sanded off his diffident, abrasive edges. When presented with the International Cooperation Art Award in 1973, he mused, in a letter to his niece, Helga (‘Pippa’) Macnamara:... (read more)
In her latest collection of poems, Empirical, Lisa Gorton demonstrates – definitively and elegantly – how large, apparently simple creative decisions (employing catalogues or lists; quoting from the archive; engaging in ekphrasis or description) can produce compelling and complex poetic forms.... (read more)
When the Bill that became the Modern Slavery Act 2018 (Cth) was introduced into the federal parliament, it was accompanied by a grim message: two centuries after the abolition of the slave trade in the United Kingdom, it is estimated that there are twenty-five million victims of modern slavery worldwide. It also came with a bracing if Panglossian promise: t ...
Judith Brett reviews 'The Politics of the Common Good: Dispossession in Australia' by Jane R. Goodall
The commons, the common good, the commonwealth: all words for humans’ shared right to the fruits of the earth to sustain their lives, and all words with deep political histories. In The Politics of the Common Good, Jane R. Goodall excavates some of these deep histories, beginning with the Diggers and Levellers of mid-seventeenth-century England who, in pr ...
Speechless, Adolf Hitler sat glowering at Foreign Minister Joachim von Ribbentrop. Since 1933 the führer had gambled repeatedly that France and Britain would capitulate to his latest demands. Now he tried again, reassured by Ribbentrop (no aristocrat, a vain man who had purchased his title) that the feckless Allies would not intervene if ...... (read more)
The Breeding Season is a novel that grapples with big ideas: the connections between death; grief, mortality and the bodily experience of them; how the male gaze preconditions how women (and female animals) are portrayed and described in science and art. It is an ambitious book, and the ideas that drive it are one of its main pleasures, even if they sometim ...