Robert Drewe

Laurie Clancy reviews 'The Bodysurfers' by Robert Drewe

Laurie Clancy
Friday, 07 February 2020

This collection of twelve stories by the author of The Savage Crows and A Cry in the Jungle Bar seeks to explore and define what Drewe sees as a part of our national psyche, the preoccupation with the coast and with the ‘careless violent hedonism’, as one of the characters puts it, of beach life. In ‘Looking for Malibu’, David Lang, who appears in several of the stories, defines it for a then fellow expatriate in a discussion about criminals on the run. ‘If their enemies were middle-class Australians they’d know where to look for them,’ he says. ‘You know something? When Australians run away they always run to the coast. They can’t help it. An American vanishes, he could be living in New Mexico, Arizona, Colorado, the mountains, the desert, anywhere. Not an Australian-he goes up the coast or down the coast and thinks he’s vanished without a trace.’

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‘When Australians run away, they always run to the coast.’ Robert Drewe has already debunked the myth of the bush as Australia’s heartland, and in The Bodysurfers pictured us living and loving on the very rim of the continent, precariously perched in salty, sweaty, and essentially temporary hedonistic bliss between the threat of the empty outback, the incendiary bush, and the menace of the ocean with its sharp­toothed predators and secret stingers.

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Judith Armstrong reviews 'Grace' by Robert Drewe

Judith Armstrong
Friday, 11 October 2019

The scope of this novel could hardly be more ambitious. It ranges from the landing ten thousand years ago of prehistoric men in primitive rafts on the shores of what would one day be known as the Kimberley, to the apparition of a young asylum seeker off a leaky, sinking boat in roughly the same locality during the present inhospitable times. In other words, it meets the challenge of major issues both immemorial and contemporary.

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Chris Flynn reviews 'Sydney Noir' edited by John Dale

Chris Flynn
Tuesday, 18 December 2018

In 2004, New York-based publisher Akashic Books released Brooklyn Noir, a collection of short fiction written under a specific brief. Stories had to be set in that neighbourhood and feature noir themes: simmering familial revenge, cheating and double-crossing, sexual betrayal, domestic discord, murderous trysts, down-at-heel detectives ...

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Robert Drewe’s first short story collection, the widely acclaimed The Bodysurfers (1983), opens with a story of the Lang family – children Annie, David, and Max, taken by their recently widowed father for a Christmas Day lunch at a local hotel, where it becomes apparent that their father is on intimate terms with the hotel manageress.

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