Picador

Kerryn Goldsworthy reviews 'Other People’s Words' by Hilary McPhee

Kerryn Goldsworthy
Friday, 06 September 2019

‘The characters which survive,’ wrote Hilary McPhee at seventeen in the copy of Thomas Hardy’s The Return of the Native that she studied in her tiny matriculation class at Colac High in 1958, ‘are those who make some compromise with their surroundings ...

... (read more)

The most charismatic of the many monsters in Elizabeth Bryer’s début novel is the conceptual artist Maddison Worthington, who commands attention with her lipstick of ‘Mephistophelian red’ and her perfume of ‘white woods, musk and heliotrope’. From the solitude of a labyrinthine mansion ...

... (read more)

From at least the mid-1980s, it has been almost obligatory for Australian reviewers to bemoan the dearth of contemporary political novels in this country. In some ways, this is a predictable backlash against the flowering of postmodern fabulist novels of ‘beautiful lies’ (by such writers as Peter Carey, Elizabeth Jolley, and Brian Castro) in the past two decades ...

... (read more)

Peter Craven reviews 'Corfu: A novel' by Robert Dessaix

Peter Craven
Wednesday, 14 August 2019

In the last however many years, we have seen the rise of a kind of faction in this country which has enabled people like Drusilla Modjeska and Brian Matthews to show what scintillation and what fireworks may follow when the life of the mind (with whatever attendant discursive zigzagging) allows itself to imagine a world ...

... (read more)

This novel, Delia Falconer’s first, takes the form of a love lament: all about breath in bodies; textures and surfaces; clouds; mountains; photography; colour; gardens; illness. Much more, too, of course, and it is a work that certainly does not warrant such a glib cataloguing of elements and attributes. It is ambitious, and successful ...

... (read more)

Lorien Kaye reviews 'The Book Thief' by Markus Zusak

Lorien Kaye
Wednesday, 17 July 2019

The Book Thief marks a departure for Markus Zusak. It is his first novel for adults, has broader concerns than his earlier work, and makes clearer his ambitions to be considered a serious writer. His first three novels, for young adults, were primarily focused on the masculinity of the boys in a working-class Sydney family ...

... (read more)

Clive James is a fussy A-grade mechanic of the English language, always on the lookout for grammatical misfires or sloppiness of phrasing that escape detection on publishing production lines. Us/we crashtest dummies of the written word, who drive by computer, with squiggly red and green underlinings ...

... (read more)

Who is, or rather who was, André Gide? I ask this because a distinguished editor warned me, on hearing that I was about to review Robert Dessaix’s enticing new book, that nowadays nobody would remember who Gide was. Ah, the years, the years! It was another story in the time of my youth ...

... (read more)
These days I am no longer sure what is memory and what is revelation. How faithful the story you are about to read is to the original is a bone of contention with the few people I had allowed to read the original Book of Fish … certainly, the book you will read is the same as the book I remember reading ... ... (read more)

Although you might not guess it from media comment, The Latham Diaries (MUP, $39.95 hb, 429 pp, 0522852157) is the most important book yet published on Labor’s wilderness years. It provides a pungent characterisation of Labor’s post-1996 history; conveys a profound understanding of the challenges facing a social democratic party in contemporary Australia ... 

... (read more)
Page 1 of 3