Philip Dwyer reviews 'Hitler: A Life' by Peter Longerich, translated by Jeremy Noakes and Lesley Sharpe
It’s a disconcerting image. Piercing blue eyes stare out at you from the cover of the book. It renders Adolf Hitler somehow human, which is the intent of the author, Peter Longerich, and which sets this biography apart from the many others that have preceded it. Two other notable biographers, Ian Kershaw and Joachim Fest, refused to engage with Hitler’s personal ...
Tasmanian writer Heather Rose’s fifth adult novel, Bruny, about a joint venture between the Chinese, Australian, and Tasmanian governments, is well timed, given current concerns about the covert infiltration of the Chinese Communist Party into Australia’s universities and given Federal MP Andrew Hastie’s recent warning that Australia should approach i ...
It is easy to overlook that nature itself has a history – or at least our thinking about it does. In the years since Henry Thoreau initiated the modern genre of return-to-nature literature in Walden (1854), his autobiographical account of a two-year stint in the woods, the view that the natural world is a sphere apart – a realm untouched by human interv ...
James Dunk reviews 'Wind Turbine Syndrome: A communicated disease' by Simon Chapman and Fiona Crichton
‘Climate change is coming,’ fourth-generation farmer Charlie Prell told an Independent Planning Commission hearing on a proposed expansion of the windfarm near his Crookwell property on 6 June 2019. He and his family constantly hear the noise of the turbines spinning five hundred metres away, generating electricity. They hear the sounds of traffic from the road, ...
If you google the words ‘Night Parrot’, they come up with a companion set of adjectives, the most common being ‘elusive’, followed by ‘mysterious’, ‘secretive’, ‘enigmatic’, ‘mythical’, and, until recently, ‘thought-to-be-extinct’. Apart from anecdotal claims, there were no confirmed sightings of the Night Parrot from 1912, when one was captured and shot, until a dead parrot was found by a roadside in 1990 and a live bird was photographed by naturalist John Young in Western Queensland in 2013. Controversy, compromised reputations, and accusations of faked evidence followed the re-emergence
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Andrew McGahan’s final book, The Rich Man’s House, opens with an apology. ‘It’s a finished novel – I wouldn’t be letting it out into the world if it wasn’t – but I can’t deny that my abrupt decline in health has forced the publishers and I to hurry the rewriting and editing process extremely, and that this is not quite the book it would have been had cancer not intervened …... (read more)
Russell Blackford reviews 'A Thousand Small Sanities: The moral adventure of liberalism' by Adam Gopnik
In an era of dogmatism, polarisation, and intolerance, visible on both the right and left wings of politics, liberalism needs more love. Part of its image problem is a widespread perplexity about what values and principles it really stands for. In different times and places, liberalism has meant many different, even contradictory, things ...... (read more)
Alexander Wells reviews 'Promise Me You’ll Shoot Yourself: The mass suicides of ordinary Germans in 1945' by Florian Huber, translated by Imogen Taylor
Everyone knows about the final days of Adolf Hitler – his abject suicide in a clammy Berlin bunker. Many prominent Nazis followed suit, including the master propagandist Joseph Goebbels, who broadcast messages to the public espousing the virtue of death over defeat. His wife, Magdalena, wrote ...... (read more)
Zora Simic reviews 'See What You Made Me Do: Power, control and domestic abuse' by Jess Hill and 'Rape: From Lucretia to #MeToo' by Mithu Sanyal
Domestic violence and rape are not easy topics to write or read about. It’s not just because of the subject matter itself, as grim and distressing as the details can be. The writer must grapple with centuries of cultural baggage, competing theorisations and research paradigms, and the politicisation of these issues, for better or worse ...... (read more)
In The Old Lie, Claire G. Coleman has given herself a right of reply to her award-winning début novel, Terra Nullius (2007). Here, she strips away some of the racial ambiguity of the human–alien invasion allegory of that novel and leaves in its place a meaty analysis of colonisation and imperialism ...... (read more)