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Melbourne University Press

Journalist, editor, and publisher, Michael Cannon rose to prominence in print during its golden age of boundless advertising dollars, when those ‘rivers of gold’ paid for high salaries, fully staffed beats, and morning and evening newspaper editions. This was not a world of shrinking pages and newsroom cuts, of ‘digital-first’ mantras, click bait and Murdoch domination – not yet. But newspapers were not necessarily more sophisticated places either, which makes Cannon’s memoir as much a rejoinder to the lionising of lost newspaper culture – a challenge to the notion that things were always better back then – as the story of a remarkable career.

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Unlike in the United States and several other Western nations, Australian governments are under no compulsion to consult parliament before sending troops to war. In Subimperial Power: Australian in the international arena, Clinton Fernandes argues that this reflects, and furthers, Australia’s longstanding ambition in foreign affairs, which is to demonstrate its usefulness to the United States. In this week’s ABR Podcast, Kevin Foster, an academic at Monash University who has published widely on war in the Australian media, reviews Subimperial Power

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History was work for Stuart Macintyre (1947–2021), writing was his pleasure, and he excelled at both. Peter Beilharz and Sian Supski, scholars from outside Macintyre’s own discipline of history, underscore the breadth of his interests and networks by initiating this collection of twenty-seven essays. They wish to honour Macintyre’s work and interrogate ‘the Macintyre effect’. That effect stemmed from prodigious scholarly output, intervention in national debates, political connections, service to professional bodies and key cultural institutions, a long career of teaching and leadership at the University of Melbourne, and mentorship. 

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Sir Paul Hasluck has written a most interesting account of Australia’s foreign policy during the war and the period 1945 to 1947. His impressionistic narrative which seeks to illuminate a period of history through one pair of eyes, as a central witness, giving evidence of how it was, works quite well despite the difficulties and unintentional distortions of the historical record that such an approach can often involve. I suspect that in the fullness of time his account of this period will be substantially upheld by future professional historians.

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Axel Clark’s is the first full-length biography of Christopher Brennan, and its publication has drawn attention to what was a lamentable deficiency in Australian literary studies.

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At a time when critics are becoming increasingly interested in Australia’s war literature, Robin Gerster turns to it for an understanding of how national legends are created and perpetuated.

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This book will at times quite literally take your breath away. A deeply reported account of the fall of Afghanistan’s capital, August in Kabul tells the harrowing stories of those who escaped and those who were left behind in the maelstrom of those two weeks between the arrival of the Taliban on 15 August 2021 and the final US flight to depart – at one minute to midnight on 30 August. Compelling, vivid, and distressing all at once, it is a damning indictment of the Taliban’s wanton cruelty and of the domestic and foreign policy failures that allowed them to return. It is an impressive book-length début by one of Australia’s pre-eminent photojournalists.

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B.A. Santamaria is given to self-dramatization. His autobiography (1981) was subtitled Against the tide but he was not metaphorically explicit as to whether the tide was going out or coming in. For myself I do not want to think of Santamaria behaving with Canute-like megalomania; I prefer to envisage him backstroking towards shore with a rear-vision snorkel, spouting against the undertow of inevitable social change, and praying for some apocalyptic dumper to preserve him from the future agoraphobic shock of an ever-widening ocean.

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A new series called Interpretations, published by Melbourne University Press, aims to provide up-to-date introductions to recent theories and critical practices in the humanities and social sciences. Series Editor, Ken Ruthven, answers some questions about the role and reception of critical writing.

 


Does the brief introduction to the series, which says it ...

ART

Contemporary Aboriginal Art: A guide to the rebirth of an ancient culture

by Susan McCulloch

Allen & Unwin, 248 pp, $39.95 pb

1 86508 305 4

Contemporary Aboriginal Art (first published in 1999) contains a wealth of information for those interested in the history, practice, and culture of Aboriginal art. By its very nature, Aboriginal art is constantly changing and evolving, and, in this revised edition, Susan McCulloch details new developments in already well-established communities, and the emergence of some entirely new movements. McCulloch, visual arts writer for The Australian, has travelled extensively to the Kimberley, Central Australia, Arnhem Land and Far North Queensland, and her book provides first-hand accounts of Aboriginal artists and the works they are creating.

Beautifully illustrated, Contemporary Aboriginal Art also contains a comprehensive directory of art centres and galleries, a buyer’s guide, and a listing of recommended readings.

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