Mark Dapin

Almost all historical events are attended by myths, some of them remarkably persistent, but Australia’s involvement in the Vietnam War has perhaps more than its fair share. Mark Dapin has set out to dispel what he sees as six of these myths, which he first encountered working on his book The Nashos’ War ...

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In 2004, New York-based publisher Akashic Books released Brooklyn Noir, a collection of short fiction written under a specific brief. Stories had to be set in that neighbourhood and feature noir themes: simmering familial revenge, cheating and double-crossing, sexual betrayal, domestic discord, murderous trysts, down-at-heel detectives ...

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Towards the end of this handsome work, Mark Dapin makes the following observation: ‘There are many more holocaust memoirs written by Jews who emigrated from Europe to Australia than there are personal histories of Australian-born or raised Jewish soldiers. Everywhere in the world the Jewish story is focussed on persecution – the plight of refugees; the unspeakab ...

In late April, the commemorations of the centenary of the Gallipoli landing will inevitably overshadow another significant anniversary in Australia’s military, political, and social history. On 29 April 1965, fifty years to the week after the landing at Anzac Cove, the Menzies government announced the commitment of an Australian infantry battalion to the growing conflict in Vietnam. That announcement led to Australia’s longest and third-largest military commitment of the twentieth century, surpassed only by the two world wars. While its political and social impacts on Australia did not match those of World War I, they should not be overlooked. The controversies surrounding Vietnam, and all that it was taken to symbolise, have given rise to numerous myths, many still current and influencing the way Australia looks at our past, present, and potential future military commitments.

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War is one of the great paradoxes of Australia. Why should a people occupying a continent so far from the world’s trouble spots have spent so much of their history dying in often distant wars? It is one of the questions that drew me to the study of Australian history. I am little the wiser after reading this collection of Australian war writing. This is partly because editor Mark Dapin is intent simply on providing a range of Australian literary responses, and a few not so literary, to the experience of war.

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