These are exciting times when the new normal for Australian crime fiction is strong domestic interest and sales, but also international attention in the form of Australian-only panels at overseas writers’ festivals, plus regular nominations and awards in Germany, the United States, and the United Kingdom. Whether this is a literary fad or sustainable in the long term – with Australian crime fiction becoming a recognisable ‘brand’ in the manner of Scandi-noir or Tartan-noir – will depend largely upon the sustained quality of the novels produced here.... (read more)
Contemporary Australian fiction continues to lean on the national past. Perhaps that’s a comment on the present, or the future, for that matter. It seems to be not so much a matter of the past being experientially ‘another country’, but a more engaging version of the literal one ...
Last year in New York, I visited the Mysterious Bookshop, Manhattan’s only bookstore specialising in crime fiction. The otherwise knowledgeable bookseller had heard of three Australian crime novelists: Peter Temple, Garry Disher, and Jane Harper ...... (read more)
In this dark historical novel, Garry Disher imagines a world in which small girls are sold by their desperate families and enslaved to men such as the brutal ‘scrap man’ – ‘a schemer, a plotter, a trickster’ in whom ‘nothing ... rang true except rage and self-pity’ and who profits from the labour of womenfolk known as Wife, Big Girl ...... (read more)
A generation living in peacetime is inclined to devalue the identity and place of soldiers. In Australia, active soldiers have been maligned as meddlesome interlopers in ...... (read more)