A frequent contributor to the magazine since 2010 and a past Fellow (2015), Felicity Plunkett – poet, critic, teacher, editor – was chosen from a large field, and here we thank everyone who applied in this round. We especially thank the ABR Patrons who make this program – and so much else – possible.
We look forward to advertising the twenty-first Fellowship – the ABR Indigenous Fellowship – shortly.
Read the media release about this announcement here: ABR Media Release
Though often convivial, not all awards ceremonies are stirring, but the 2019 Victorian Premier’s Literary Awards – held at the MPavilion on January 31 – was very different. Behrouz Boochani’s extraordinary book No Friend But the Mountains (published by Picador, translated by Omid Tofighian) was named the Victorian Prize for Literature, having already won the Prize for NonFiction. Boochani, who remains on Manus Island where he has been incarcerated since 2013, recorded a video message and then spoke live to the audience via an iPhone. He spoke with great dignity and feeling.
Congratulations to the organisers and the Victorian government for not excluding Behrouz Boochani from these prizes, which – on this occasion – transcended the merely festive and monetary. (Boochani had earlier been excluded from the NSW Premier’s Literary Awards because he is neither an Australian citizen nor a permanent resident.)
At the ceremony, Omid Tofighian read a new poem by Behrouz Boochani (again, translated by Tofighian), which we are thrilled to publish in the March issue.
Felicity Plunkett reviewed No Friend But the Mountains in the October 2018 issue.
Peter Porter Poetry Prize Shortlist
This year’s judges – Judith Bishop, John Hawke, Paul Kane – have shortlisted five poems in the Peter Porter Poetry Prize, which is worth a total of $8,500. The poets are John Foulcher (ACT), Ross Gillett (Victoria), Andy Kissane (NSW), Belle Ling (Queensland/Hong Kong), and Mark Tredinnick (NSW). The poems commence on page 39.
MWF on the move
The Melbourne Writers’ Festival (first presented in 1986) was based at the Malthouse Theatre from 1990 to 2008. Many people with fond memories of those congenial auditoria and the main foyer – always packed with authors and publishers and readers – have been hoping that MWF would find a more gemütlich home than Federation Square.
Happily, this year MWF will move to the State Library of Victoria (SLV), that dynamic cultural complex in the heart of town. The creation of new public spaces as part of SLV’s $88 million Vision 2020 redevelopment will make it possible for the Library and adjacent venues to accommodate a festival with this popular writers’ festival.
SLV CEO Kate Torney commented: ‘The Library is thrilled to be partnering with MWF to become the new home of Australia’s favourite literary festival. The partnership will bring new audiences to our magnificent Library, which is being transformed to meet the changing needs of our visitors.’
The Festival will run from August 30 to September 9.
When the Calibre Essay Prize closed in mid-January, there were more than 450 entries – far more than in previous years. That’s almost two million words of essayism. Judging is underway but will take longer than expected. Hence, the winning essay will appear in the May issue – not April.
Hearty thanks to everyone who entered the Calibre Prize.
2019 Stella Prize Longlist
The 2019 Stella Prize longlist features books by twelve women, from a variety of publishers. Allen & Unwin figures prominently, with Eggshell Skull by Bri Lee, Little Gods by Jenny Ackland, and Bluebottle by Belinda Castles. Three-year-old publisher Brow Books is favoured too, with Pink Mountain on Locust Island by Jamie Marina Lau and Axiomatic by Maria Tumarkin. Axiomatic has already won the 2018 Melbourne Prize for Literature Best Writing Award and was shortlisted for the 2019 Victorian Premiers’ Literary Award.
The other longlisted titles are Stephanie Bishop’s Man Out of Time (Hachette), Enza Gandolfo’s The Bridge (Scribe), Chloe Hooper’s The Arsonist (Penguin Random House), Gail Jones’s The Death of Noah Glass (Text Publishing), Melissa Lucashenko’s Too Much Lip (University of Queensland Press), and The Erratics by Vicki Laveau-Harvie (Finch Publishing).
The winner will be named at a ceremony in Melbourne on April 9.
Melbourne University Publishing
Melbourne University Press – under the leadership of Louise Adler – has an unrivalled capacity to generate publicity. The University of Melbourne’s decision to (in the words of new Vice-Chancellor Duncan Maskell) ‘refocus MUP and a high-quality scholarly press’ and to reduce its commercial publishing led to a lot of lively debate. In response to the changes, Ms Adler (CEO since 2003) resigned, as did five board members, including Bob Carr and Gillian Triggs. There has been much commentary, some of it indignant and partisan.
Writing for Australian Book Review, Dominic Kelly – political historian and commentator – approaches the controversy from a different angle. His article aims to fill in some of the gaps in the recent coverage and to provoke a broader discussion of the role and purpose of university presses within the Australian publishing industry. Dr Kelly voices the frustrations of many academics about the direction of MUP and the quality of its titles over the past decade. He also seeks to correct the view propagated by a number of journalists and commentators that criticism of MUP from within academia is motivated by snobbery.
To read Dominic Kelly's commentary, click here.
Vale Andrew McGahan
ABR was saddened by the recent death of author Andrew McGahan from pancreatic cancer in February aged fifty-two. McGahan was the author of six novels including the Vogel-winning Praise (1992), Wonders of a Godless World (2009), and The White Earth (2004) which won the 2005 Miles Franklin Award. McGahan was also the author of four young adult novels in the Ship Kings series including Ship Kings (2013) and The Coming of the Whirlpool (2011)
James Bradley reviewed The White Earth for ABR, describing it as ‘possessed of a resonance and symbolic complexity that exceeds anything he has done before’. His review was republished in the January-February 2019 issue as our From the Archive feature. In a statement on the Allen and Unwin website, publisher Annette Barlow said ‘I know that Australia’s literary community and readers will join me in mourning the loss of Andrew. I will remember him for his fierce and intense intelligence, his kindness and generosity, his fascination with the natural world and his bravery in facing his diagnosis. He truly was the best of men.’
Allen and Unwin will publish McGahan’s final, posthumous novel The Rich Man’s House in September 2019.
Newcastle Writers Festival
The 2019 Newcastle Writers Festival runs from 5–7 April, and the full program is now available. Guests include Heather Morris, author of the bestselling The Tattooist of Auschwitz; acclaimed journalist and author Clementine Ford, who will discuss her recent work Boys Will Be Boys; and the award-winning Australian artist Ben Quilty. The festival will also feature a series of writing workshops and masterclasses, book launches, literary trivia, and much more.
For more information on the Newcastle Writers Festival, visit their website.
Daisy Utemorrah Award
In this prize-happy country, some of the worthiest (if not most lucrative) literary awards are for unpublished manuscripts. There is a new one from Magabala Books: the Daisy Utemorrah Award for an outstanding fiction manuscript in the junior and Young Adult categories (including graphic novels). It honours the late Ngarinyin Wunambal elder and author Daisy Utemorrah. Entrants must be Aboriginal or Torres Strait Islander persons. The winner will receive $15,000 and, better still, a publishing contract with Magabala Books. Applications close on April 30.
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ABR News: Felicity Plunkett named the ABR Patrons' Fellow 2019; a new poem by Behrouz Boochani; the Peter Porter Poetry Prize shortlist announced; the Melbourne Writers' Festival moves; Calibres galore; the 2019 Stella Prize shortlist announced; the Melbourne University Publishing furore; and more ...
Everyone agreed that the day was just right for the picnic to Hanging Rock – a shimmering summer morning warm and still ...
Far from being a flimsy, frilly story for women full of antique charm and middle-class manners, Joan Lindsay’s Picnic at Hanging Rock is a novel of sharp social observations and nuanced critique; subtle and sometimes latent sensuality; and layered, intricate allegory. The ‘shimmering summer morning warm and still’ brings the opposite to what it promises. Life is more complex and unstable in Lindsay’s world. Whoever would have thought that a picnic on Valentine’s Day 1900 would go so horribly wrong for the students and teachers of Appleyard College, or that the picnickers would return to the school with three senior girls and one teacher missing at Hanging Rock?
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Far from being a flimsy, frilly story for women full of antique charm and middle-class manners, Joan Lindsay’s Picnic at Hanging Rock is a novel of sharp social observations and nuanced critique; subtle and sometimes latent sensuality; and layered, intricate allegory. The ‘shimmering summer morning warm and still’ brings the opposite to what it promises ...
From the Herbig family who lived in a hollowed out tree trunk to Dr Bosisto’s ‘Syrup of Red Gum’, from the trauma and regeneration of bushfires to the ill-fated Burnside Village tree, the Tree of Knowledge, and the ‘dig tree’ - how can we understand Australia’s complex relationship with the eucalypt? The October 2017 Environment issue of Australian Book Review includes the third ABR Eucalypt Fellowship essay, ‘Ambassadors from Another Time’ by South Australian novelist Stephen Orr, in which he examines Australia’s evolving understanding of these iconic trees.
Stephen Orr studied ecology at university before starting to write fiction. He has taught Biology, Agriculture, and English. He especially loves novels about science and our sometimes difficult relationship with the natural world. His most recent novel, The Hands (2015), describes a farming family trying to scratch a living from drought affected grazing country. His most recent novel is Datsunland (UQP, 2017), which was reviewed in the June-July 2017 issue of Australian Book Review.
This $7,500 Fellowship is funded by Eucalypt Australia and we acknowledge their generous support.
Music featured in this podcast comes from the 2017 album The Double by David McCooey, which can be listened to and downloaded via Spotify.
This essay appeared in the October 2017 issue of Australian Book Review. To purchase a copy of the print edition, or to access the essay online, please visit our Subscriptions page. Subscriptions start from just $10.
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Applications for the 2019 ABR Patrons’ Fellowship have now closed. An announcement will be made in early 2019.
My year as an ABR fellow has been the most rewarding of my writing life. This year I've not only been encouraged, but supported, to press my ear against our culture's chest and listen to its heartbeat. I'm indebted to the ABR team, and its warm and generous community of readers and donors, for giving me the chance to grow into my profession.'
Beejay Silcox, ABR Fortieth Birthday Fellow (2018)
Australian Book Review is pleased to advertise the 2019 ABR Patrons’ Fellowship. Funded by ABR Patrons, the Fellowship is worth $10,000. The Fellow will make a broad contribution to the magazine throughout the year, with a series of four substantial articles.
ABR welcomes proposals from Australian creative writers, freelance reviewers, journalists, commentators and scholars. The Fellow’s articles will appear in the print magazine and ABR Online. Contributors to the magazine and previous Fellows and Fellowship applicants are strongly encouraged to apply.
Applications for the 2019 ABR Patrons' Fellowship closed at 5pm on 10 December 2018.
2019 ABR Patrons' Fellowship Application Guidelines
What is the Australian Book Review Patrons’ Fellowship?
This Fellowship – funded by Australian Book Review’s generous Patrons – will be a highlight of our 2019 publishing year. The Fellow will make a broad contribution to the magazine throughout the year, with a series of four substantial articles. ABR welcomes proposals from Australian creative writers, freelance reviewers, journalists, commentators, and scholars.
Who can apply?
Any writer with a publication record (books, creative writing, essays, or journalism) is eligible. Applicants must be Australian citizens or have permanent resident status in Australia. ABR staff and Board members are ineligible. Contributors to the magazine and previous Fellows and Fellowship applicants are strongly encouraged to apply.
What is ABR offering?
The Fellow will receive a total of $10,000, payable thus – $2,500 on announcement of the Fellowship and three further payments of $2,500 on publication of the final three contributions to the magazine. The Fellow will work closely with the Editor of ABR throughout the year.
ABR is seeking a suite of brilliant literary journalism from a highly engaged and professional writer. During the course of the Fellowship, the Fellow will produce four substantial articles for publication in the magazine in 2019. These can be review essays, commentaries, or interviews – or a combination of all three genres. Each contribution will be 2,000 words or longer. The features (agreed on with the ABR Editor) will be staggered throughout the year. The articles will appear in the print and online editions of ABR. The Fellow will be available for media coverage and at least one literary/promotional event. NB the Fellow is not expected to complete the Fellowship onsite.
Familiarity with Australian Book Review
ABR looks for support and engagement from its senior/regular contributors. Applicants must demonstrate considerable familiarity with ABR – its style, its content, its direction. Those totally new to or unfamiliar with the magazine or should not apply.
The Fellow will be chosen by a panel including ABR Editor Peter Rose. We will announce the decision in early 2019. No correspondence will be entered into once the decision has been announced. ABR reserves the right not to award a Fellowship in a particular round.
How to apply?
The application should comprise a proposal of 2-3 pages plus a short CV. Applicants should summarise the following: their interest in the magazine and its direction; why they believe their contributions will advance ABR and win us new readers; and the likely nature/scope/genre of the four proposed contributions. (We are mindful that the Fellowship will evolve throughout the year.) Applicants should also attach two examples of their literary journalism.
There is no application fee.
ABR gratefully acknowledges the generous support of the ABR Patrons.
The ABR Fellowships are intended to reward fine Australian writers and to advance the magazine's commitment to critical debate and long-form journalism. All published Australian writers are eligible to apply.
Please read our list of Frequently Asked Questions before contacting us with a question about the ABR Fellowship program.