Archive

Several years ago, I was privy to a breakfast conversation with one of our venerable literary critics, in which he lamented the proliferation of novels in Australia by young women. Of particular concern, he announced, was the tendency of said young women to construct ‘itsy-bitsy sentences from itsy-bitsy words’. And he smiled around the table warmly, secure in venerable male polysyllabic verbosity. As a young woman myself of vague literary urges, I felt thoroughly rebuffed. The only words I could think to form were both too itsy-bitsy and obscene to constitute effective rebuttal, and they remained unsaid.

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Donald Thomson’s stature as a great Australian and a champion of Aboriginal rights is confirmed by this engaging compilation. Thomson was also a world leader in ethnographic field photography. Published first in 1983, this revised edition contains a gallery of eighty additional evocative, annotated images of vibrant people and their ways of living. Today’s evaluation contrasts with that around the time of Thomson’s death in 1970, when his reputation reached its nadir. Most anthropologists then disparaged his work, few appreciated the richness and complexity of his collections, while only one academic book testified to his credentials.

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Cassandra Pybus reviews 'Performances' by Greg Dening

Cassandra Pybus
Wednesday, 25 March 2020

Greg Dening was trained for the Catholic priesthood. He became an outstanding historian of the Pacific, although perhaps better described as an anthropologist-historian, in company with Clifford Geertz, Marshall Sahlins, Nathalie Zemon Davis, and his colleague Rhys Isaac, to whom this book is warmly dedicated. Yet echoes of his initial calling linger in his work, certainly as evidenced in this collection of essays.

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The serious academic study of war has grown considerably in Australia in the last ten to fifteen years, bringing with it an often welcome diversification in focus and a willingness to subject old issues to fresh scrutiny. One sign of the increasing acceptance of war as a subject of serious study in the universities is the increasing number of university historians and other who, with little knowledge of or interest in the mechanics of war, nonetheless extend their work to include consideration of war and the military as these affect their particular areas of interest.

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Andrew Riemer reviews 'Firing' by Ninette Dutton

Andrew Riemer
Wednesday, 25 March 2020

A friend of mine remembers a reception during an Adelaide Festival of the Arts. It was a large gathering: visiting musicians, singers, actors and writers, members of the Adelaide establishment, people from the university. The hosts were Ninette and Geoffrey Dutton. My friend, a visitor from Sydney, was struck by the Duttons’ confidence and sophistication. They were a handsome couple, she recalls, entirely at ease with the famous people who had come to the Festival from many parts of the world.

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John Hanrahan reviews 'Heroin Annie' by Peter Corris

John Hanrahan
Tuesday, 24 March 2020

This is The Great Tradition. Spade, Marlowe, Archer, Spenser. Peter Corris has relocated it, given it another place and another name and done it all with verve and flair. In ten adventures, Cliff Hardy lurches around Sydney in the rusty armour of his Falcon (except on one occasion when he goes to his spiritual home, California). While Corris does not achieve as much in the short stories as he does in the novels (but then that is true of Hammett), he does present Cliff Hardy as alive (miraculously) and well (apart from batterings and hangovers) and doing good (if not entirely within the meaning of the act).

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Heather Falkner reviews 'Little Deaths' by Peter Goldsworthy

Heather Falkner
Tuesday, 24 March 2020

This is the finale to ‘The Death of Daffy Duck’, one of the stories in Peter Goldsworthy’s latest collection. ‘The Death of Daffy Duck’ outlines the end of a friendship between two bon vivant couples whose years of dining out together had come to an end in a restaurant, during dinner, when one of the men almost choked to death on a piece of food (the ‘Scene’ referred to), and the other saved his life. From that time on, the saved man will not speak to his rescuing friend.

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For over a decade, Peter Singer has been one of those public intellectuals we are supposed by some not to have. In the past, however, the problem with him has been that his thinking has often been about matters not seen to concern the public at large, animal liberation, for example. But events have hurried us all forward. Even a few years ago it was possible for mottoes like ‘greed is good’ or pronouncements like Mrs Thatcher’s that ‘there is no such thing as society, there are only individuals’ to seem not only provocative but hard-headed. The good life, we were, many of us, persuaded, was synonymous with goods, our heroes were experts in money-making – having and spending, ethics seemed to be a matter of preserving the appearances, not getting caught.

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Hazel Rowley reviews 'Fishing in the Styx' by Ruth Park

Hazel Rowley
Tuesday, 24 March 2020

I discovered Ruth Park’s Companion Guide to Sydney in a Sydney second-hand bookshop in 1980. Published in 1973, it was already out of print, probably because it evokes a Sydney that no longer existed. In the early 1970s, Park writes, ‘Sydney was beginning to pull itself to pieces, the air was full of fearful noise, the sky of dust … And the terrible sound of the rock pick tirelessly pecking away at Sydney’s sandstone foundations was over all.’

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Kate Veitch reviews 'Fineflour' by Gillian Mears

Kate Veitch
Tuesday, 24 March 2020

There’s something about country towns that makes them peculiarly well suited to being described in short stories. Or is it that short stories are particularly suited to describe life in country towns? Eudora Welty and Flannery O’Connor wrote about little else, and several Australian writers’ best books have been collections of stories set in country towns: Olga Masters’ A Long Time Dying, for example, and Frank Moorhouse’s The Electrical Experience. Gillian Mears’s Fineflour is a work which may be placed with absolute confidence beside any of those mentioned above.

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