With Wolfe Island, Lucy Treloar joins a growing number of novelists whose fiction is marked by anthropogenic catastrophe. Her latest offering confronts two urgent global crises: the climate emergency, and the plight of refugees. Treloar reveals startling connections between the two through the shared thread of displacement in ...... (read more)
The first thing one notices about Jaclyn Moriarty’s Gravity Is the Thing is its narrative voice: distinctive, almost stylised. Exclamation marks, emphasised words in italics, a staccato rhythm, and clever comments in parentheses add up to a writing style sometimes deemed quirky ...... (read more)
At the front of Miriam Sved’s A Universe of Sufficient Size is a black-and-white photograph of a statue. The cloaked figure holding a pen (‘like a literary grim reaper’, reflects one character) is the statue of Anonymous in Budapest, a significant setting in the book. Its inclusion is a reminder that the novel draws on the story of ...... (read more)
Gravity Well opens with Carl Sagan’s famous ‘mote of dust suspended in a sunbeam’ quote, suggesting themes of astronomy, loneliness, and humanity’s cosmic insignificance. Though I was immediately smitten with the cover design (a nebula-coloured orb, its top and bottom halves depicting mirrored but not identical female silhouettes amid a sea of cosmi ...