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Essay collection

At a recent Passover Seder in Melbourne, I caught the word ‘Gilead’. ‘My favourite book!’ exclaimed the woman opposite me. I was a Catholic guest at a gracious Jewish table, so I whispered my query: ‘Marilynne Robinson’s novel?’ ‘Of course!’ came the emphatic reply. The Seder ritual was suspended for ...

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So much has been written about male–female power dynamics, Trump’s grotesqueries, the public outing of protected abusers, and the growing chorus of women speaking out about sexual harassment that it’s hard to believe there could be anything new to add. Yet Rebecca Solnit, author of celebrated essays ...

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‘When I was younger even the appearance of “I” on the page made me feel a bit ill,’ Zadie Smith confesses in her new book of essays, Feel Free. Shades of this chariness about the personal pronoun still persist in her non-fiction today, which is markedly self-effacing. From the outset, Smith repeatedly attempts to ditch ...

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It takes only five months for a newt to regrow a lost limb. Skittles and Tic Tacs both made public statements denouncing Donald Trump during the 2016 Presidential race. Psychologists have learned that whenever we believe that a problem – like addiction, domestic abuse, or climate change – is intractable, our brains appear ...

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Like Wonder Woman loping across a battlefield, arms raised, bracelets repelling bullets, Laurie Penny charges boldly into the culture wars. In Bitch Doctrine, we traverse trigger warnings, misogynistic trolls, sex work, commodity feminism, gender identity, transphobia, free speech, nerd entitlement, left-wing rape apologists ...

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Ashleigh Young is one of a number of writers currently distinguishing themselves as the latest generation to emerge from the creative writing program at Victoria University in Wellington. The course, founded by Bill Manhire in 1975, maintains the supply of excellence that attracted so much resentment as its ‘spectacular babies’ – from Barbara Anderson to Elean ...

While it is true that the essay as a genre has a long and continuous history, it is not always an easy form to categorise or define. J.M. Coetzee has himself contrasted the ‘rather tight discourse’ of criticism with the relative freedom of writing fiction. Indeed, essays – like those collected in this volume – require ‘slow reading’, a term derived from ...

In reviewing this broad retrospective of George Monbiot’s Guardian columns, How Did We Get Into This Mess?, it is difficult to focus solely on the actual content of those commentaries. Yes, we need to understand the problems that illustrate that central question – the clear mess we’re in. From Monbiot’s position, the symptoms range, impressively, from individual loneliness to the ecological disaster of sheep, from drone killings

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A persistent fascination attaches to those who help break the new wood, and so it is with Bernard Smith (1916–2011). His contribution is foundational to the study of the arts in Australia. Smith was for more than sixty years the country’s leading art historian, but he was also an educator, curator, newspaper critic, collector, memoirist, and biographer. Even as ...

Siri Hustvedt revels in ambiguity, the in-between places where the certainties of fact fray. In her idea-driven novels such as  ...

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