Lucy Ellmann’s ambitious seventh novel stages the workings of a mind as it digests – or fails to digest – life-altering experiences. Ducks, Newburyport is, for the most part, the ruminating inner monologue of a bewildered and frightened woman. It spans a thousand mostly artful pages and is an undeniably impressive accomplishment. However, for readers who relished Ellmann’s brilliant comic novels, Ducks may lack the energising charge – absurd, erotic, and darkly funny – that is so satisfyingly prominent in her earlier work.
Its chief narrator is a well-educated American mother of four afflicted by sharp anxiety. Her concerns include: the existence of President Trump; repeated mass shootings; the threat of nuclear war or climate catastrophe; male violence; and precarious health care. Her inner life is expansive but oriented around a handful of personal wounds, many of which are recast in the parallel story of a hunted lioness in search of her babes. Leaving aside a memorable sexual encounter, the latter resembles a children’s fable, a similarity that is knowingly signalled when the narrator recalls ‘some Disney movie about an escaped lion that wonders around some town’.... (read more)
In The Rapids: Ways of looking at mania, Sam Twyford-Moore takes a personal, exploratory, and speculative approach to the subject of mania. Because the author has been significantly governed by manic episodes on several occasions (he was diagnosed with manic depression as he ‘came into adulthood’), The Rapids offers an insider’s perspective. It also considers some of the public and cultural manifestations of the illness ...... (read more)
In Relatively Famous, Roger Averill combines a fictional memoir with extracts from a faux-biography of the memoirist’s Booker Prize-winning father, Gilbert Madigan. The biography amounts to a fairly bloodless summary of the events of Madigan’s life, and his son’s memoir is similarly sedate. This makes for a limp but ...... (read more)
To celebrate the best books of 2017 Australian Book Review invited nearly forty contributors to nominate their favourite titles. Contributors include Michelle de Kretser, Susan Wyndham, James Ley, Geordie Williamson, Jane Sullivan, Tom Griffiths, Mark Edele, and Brenda Niall.... (read more)
The many gaps in the verifiable history of Jeanne d’Arc’s early years in rural France, as well as her improbable rise to prominence and martyrdom, have left room for a considerable amount of speculation and projection over the centuries. There is no shortage of fictional or historical accounts of her life, or ways of characterising ...... (read more)
Shaun Prescott’s début novel shares obvious conceptual territory with the fiction of Franz Kafka and Gerald Murnane, both of whom are mentioned in its promotional material ...... (read more)
Alan Bennett once wrote of Franz Kafka: ‘One is nervous about presuming even to write his name, wanting to beg pardon for doing so, if only because Kafka was so reluctant to write his name himself.’ Even so, Bennett gave us Kafka’s Dick (1986), which – alongside a sputtering stream of demythologising critical interventions into Kafka studies ...... (read more)
In her introduction to Edge of Irony, Marjorie Perloff claims that in order to ‘understand Modernism ... we have to read, more closely than we have, the deeply ironic war literature of the defunct, multicultural, and polyglot Austro-Hungarian Empire’ ...... (read more)
Ali Smith is a formally and thematically exuberant writer who takes obvious pleasure in the art of storytelling, the mutability of language, and slippages in representation ...... (read more)
Readers who expect to be treated with gentlemanly courtesy have always found D. H. Lawrence rough going. His explicit fictional representations of sex and his anti-war diatribes were widely condemned in his lifetime, and his novels were duly censored or withdrawn from sale in Britain and beyond. Lawrence’s prose style – lyrical and sensuous one moment, brusque a ...