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Ian Dickson

At any time, Washington, DC would be an apposite place in which to stage Wagner's vast cautionary saga about the devastating effects of greed and lust for power on the human and natural world, but it is excruciatingly so at this moment. On Pennsylvania Avenue, roughly halfway between the ...

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Do we really need another slim volume on the great Stephen Sondheim? Along with innumerable reviews, essays, and articles, we have Craig Zadan's account of Sondheim's early career, Sondheim & Co (1974), Meryle Secrest's Stephen Sondheim: A Life (1998), and the promise of a definitive biography from the critic David Benedict. If that were not en ...

As with London buses, one waits for ages for a film based on the life of that vocal phenomenon Florence Foster Jenkins (1868–1944), and then two arrive simultaneously. Add to the mix Maggie Smith's Miss Shepherd in The Lady in the Van and it seems to be open season on eccentric ladies of ...

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Gentles, perchance you'll wonder at this show
That comes to us with fanfare from abroad.
Mike Bartlett's many earlier plays, like ...

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In this era of the jukebox musical, it is not surprising that the seventeenth- and eighteenth-century equivalent, the pasticcio opera, should be undergoing a revival. A couple of seasons ago, New York's Metropolitan Opera created a version, The Enchanted Island, which received a mainly ...

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To his critics, James Merrill was at best a petit maître, a composer of exquisitely manufactured lyrics that reflected his privileged life and over-refined sensibilities. When he won Yale's Bollingen Prize for Poetry, the editorial writer for The New York Times wearily deplored the judges' preference for 'literary' poets. This prompted a sharp res ...

The reappraisal of Australian plays from that great explosion of theatrical creativity in the 1970s and 1980s which has been in train for the last few years continues with the Sydney Theatre Company's production of Louis Nowra's mighty The Golden Age. The play was first performed in 1985 ...

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Virginia Woolf's early impression of the aristocratic, free-loving woman of letters Vita Sackville-West was not exactly complimentary: 'Not much to my severer taste – florid, moustached, parakeet coloured, with all the supple ease of the aristocracy, but not the wit of the artist.' Her opinion soon changed, however, and she found herself falling in love with the p ...

To highlight Australian Book Review's arts coverage and to celebrate some of the year's memorable concerts, operas, films, ballets, plays, and exhibitions, we invited a group of critics and arts professionals to nominate their favourites – and to nominate one production they are looking forward to in 2016. (We indicate which works were reviewed in Arts Up ...

Letter from Milan

by
21 October 2015

Spurred on by Expo Milan, La Scala is having a busy couple of months. Entitled Feeding the Planet, Energy for Life, the Expo is supposed to stimulate ideas for sustainable nutrition in a world with a rapidly expanding population and an equally rapidly diminishing arable area. However, the report from those who have braved the enormous crowds and endless que ...