Paul Giles is a critic for whom it is important where he lives, although not so much in terms of location as of literary and imaginative perspectives. He began as an Americanist literary scholar, in voluntary exile from the United Kingdom, where he was trained, writing about the global remapping of American literature and, more recently, having moved to Australia, about Australasia’s constitution of American literature. He likes redrawing the critical maps of literary study, but also following the reverse and inverted orbits of writers themselves. Part of this impulse includes rethinking the hemispheres. Giles’s book about Australasia and US literature, for example, was titled Antipodean America (ABR, August 2014). If it wasn’t too much of a mouthful, you’d say he was a serial re-territorialiser.... (read more)
Michael Hofmann’s home territory is language, while his life is extraterritorial. He was born in Germany, went to school in England, now lives in Germany, but teaches in North America. He has also made a living out of working between languages, translating scores of texts from German into English ...... (read more)
David McInnis reviews 'Antipodal Shakespeare: Remembering and Forgetting in Britain, Australia and New Zealand, 1916 - 2016' by Gordon McMullan and Philip Mead et al.
In 1916, the 300th anniversary of Shakespeare’s death coincided with the first anniversary of the Gallipoli landings, thus providing the impetus for this absorbing study of memory and forgetting, and what the authors call a specifically ‘antipodal’ dynamic of asymmetrical commemorations across ...... (read more)
David McInnis reviews 'Antipodal Shakespeare: Remembering and forgetting in Britain, Australia, and New Zealand, 1916–2016' by Gordon McMullan and Philip Mead et al.
In 1916, the 300th anniversary of Shakespeare’s death coincided with the first anniversary of the Gallipoli landings, thus providing the impetus for this absorbing study of memory and forgetting, and what the authors call a specifically ‘antipodal’ dynamic of asymmetrical commemorations across the northern and southern ...... (read more)
ABR: Which poets have most influenced you?
You learn very different things from different poets, from formal aspects, some of them minute, to whole revelations about what a poem might be. This is always developing, and influences tend to come in waves or moments, with anthologies and magazines, subcultures ...... (read more)
There is a shimmering, ludic intelligence to this collection of poems, Philip Mead’s first since 1984. The word ‘comeback’ is apt, with its grace note of gladness for renewed possibilities. Opening any new work, the anticipation is acute: will I be changed by reading this, and if so, how? What might I think, feel, or recognise ...... (read more)
You’ll be lost in the headlong city, turning your oar, older
Her house needs to stay open for another October ...
Paul Giles has done important work reimagining North American literary history as allied rather than isolationist – revisioning American literature not as the definition of landlocked nation or exceptional homeland but as the product of transatlantic and continental traverses of forms and voices. In three books, Transatlantic Insurrections (2001), Atl ...