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Michael Halliwell

The political and sexual machinations on the stage at Angel Place in Sydney, ostensibly depicting an event during the inglorious reign of Emperor Nero in 54–68 CE, might be interpreted in a very contemporary light in terms of politics and society. An opera that represents ruthless political ambition allied to lust, cruelty, corruption ...

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Three ‘new’ operatic versions of Hamlet in two years: the time is certainly not ‘out of joint’ for Shakespeare. Italian composer and conductor Franco Faccio’s Amleto was successfully premièred in Genoa in 1865, but then had a disastrous performance at La Scala in Milan in 1871 ...

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Michael Halliwell interviews Australian composer, violist, and conductor Brett Dean for the ABR Podcast. Dean composed the opera Bliss based on the Peter Carey novel, and was for many years a violist with the Berlin Philharmonic Orchestra. He was the Artistic Director of the Australian National Academy of Music(ANAM) in Melbourne, and is now a ...

To highlight Australian Book Review’s arts coverage and to celebrate some of the year’s memorable concerts, operas, films, ballets, plays, and art exhibitions, we invited a group of critics and arts professionals to nominate some favourites.

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Dear Editor, Melbourne geographer Peter Christoff may be right that Australia should shake off its island mentality, but he is wrong to suggest that Australia has become much ...

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Mozart's third great collaboration with librettist Lorenzo da Ponte, Così fan tutte, has enjoyed a chequered performance history since its première in the Burgtheater in Vienna in 1790, a year before Mozart's death. Its initial series of performances were interrupted by the death of Emperor Joseph ...

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If any contemporary Australian novel can be said to be canonical, or perhaps even 'the great Australian novel', then it must be Tim Winton's Cloudstreet. Published in 1991, it soon acquired a devoted following and elevated Winton into the top rank of Australian writers ...

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'One-hit' operas litter the repertoire. One thinks of the aria 'Ebben? Ne andrò lontana', which every soprano worth her salt has sung in concert and many have recorded. The aria was the thread running through the cult move, Diva (1981), sung in a concert scene in the film by the soprano ...

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The protagonist of Thomas Mann's great novel, The Magic Mountain (1924), Hans Castorp, goes into battle, and almost certainly his death, at the end of the book singing 'Der Lindenbaum' from Schubert's song cycle, Winterreise: The song meant a great deal to him, a whole world ... His fate ...

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The 'anxiety of influence' is just as pertinent to music as it is to all the arts. Scholars have claimed that Mozart was strongly influenced in the composition of Le nozze di Figaro (1786), by André Grétry's (1741–1813) L'Amant jaloux (The Jealous Lover, or False Appearances) (1778). The musical and dramatic genius of ...

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