Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Memoir

When Gabrielle Carey wrote Puberty Blues (1979) with her school friend Kathy Lette, it was closely based on her own experience as a teenager. This initiated a writing career specialising in autobiography. Her novel The Borrowed Girl (1994) is based on her experience of living in a Mexican village, and So Many Selves (2006) is a personal memoir. Her new book extends the work of mourning and remembering her parents, which began with In My Father’s House (1994), an attempt to understand the suicide of her father, Alex Carey, and continued with Waiting Room (2009), an account of her mother Joan’s illness with a brain tumour.

... (read more)

Italo Calvino once observed that the ideal condition for a writer is ‘close to anonymity’, adding that ‘the more the author’s figure invades the field, the more the world he portrays empties’. These comments about anonymity were made during an interview on Swiss television, no less. Calvino must have felt his imaginary worlds slipping away as he spoke ...

... (read more)

When Sheila Fitzpatrick arrived in Oxford in 1964, with a couple of years of Russian language studies at Melbourne University and a Commonwealth Scholarship under her belt, she had more than a passing knowledge of Cold War spying. Her father, Brian Fitzpatrick, was a labour historian and well-known leftist who had advised the Labor Opposition leader H.V. Evatt ...

Pre-teen and early teen years had me and many others enjoying Ross Campbell’s witty column in the Sunday Telegraph newspaper about the goings-on in ‘Oxalis Cottage’, a fictionalised version of his Sydney home. Robert Drewe’s often hilarious columns for The Age and The Weekend West are a kind of modern equivalent, and a selection of them is brought together to form The Local Wildlife.

... (read more)

Much travel is unpleasant (with over-expectations, too many tourists, and long distances from Australia), but even the sedentary or timorous persist with it in some ‘misguided duty to culture’, as Brendan Shanahan describes in his first collection of essays, Mr Snack and the Lady Water. Assembling journeys from the mid-1990s until now, Shanahan recounts stories that range from the inequities of post-Apartheid South Africa to his experience with so-called ‘dental tourism’ in the Philippines. The result of these peripatetic years has been, as the book’s subtitle suggests, largely uneventful: lost to the author and this reader alike.

... (read more)

Boy, Lost is a sad and shocking memoir, unique in particulars but not in broad outline. Domestic violence and psychological sadism lie at its heart.

... (read more)

A Flower Between the Cracks, South Australian writer Helen Sage’s first book, chronicles her experience of caring for a disabled child over a period of several years. Sage’s busy but comfortable life was changed irrevocably when her daughter, Jayne, was involved in a horrific car accident. Prior to this, Jayne had been a psychology honours student who loved ‘rock, blues, playing the piano’ and was ‘a real nature buff’. Jayne survived her accident, but emerged with an acquired brain injury. 

... (read more)

The last decade has seen a significant growth both in the number of motherhood memoirs and in books about autism and Asperger’s Syndrome. Australia is no exception to this trend, and Jo Case, in Boomer & Me, makes a contribution to both fields. As someone who has written a motherhood memoir about autism, I am a sympathetic reviewer but might also be considered too close to the topic. I have certainly read many memoirs about autism and Asperger’s in the ten years since my own son was diagnosed. I was pleased, then, to find that Case’s memoir offered two interesting points of departure from other Australian motherhood memoirs and Asperger’s stories. It is also well-written and engaging, as expected from Case, who is a literary reviewer and a former deputy editor of ABR.

... (read more)

The welcome in the title of this memoir refers both to Goldsworthy welcoming her baby son and to her recognition that her own life has irrevocably changed. The commonplace but also profound shifts resulting from motherhood are gently displayed for the reader, without sentimentality or the relentless self-deprecating irony of many motherhood memoirs and blogs. As readers of her earlier memoir, Piano Lessons (2009), will know, Goldsworthy’s touch is light but sure. It is a simple story of pregnancy, birth, family dramas, and learning to parent, but it is engaging and often very funny.

... (read more)

Ghost Wife is a timely text, given the recent debates about same-sex marriage. Michelle Dicinoski writes about travelling to Canada in 2005 to marry her girlfriend, Heather.

... (read more)