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Cricket

Test cricket and the novel are two pinnacles of modern cultural achievement, long-haul enterprises of intricacy and complexity. Why, then, have the two rarely intersected? It is especially strange given that cricket has arguably had more books devoted to it than has any other sport. Literary-minded cricket lovers will rhapsodise over the prose style of C.L.R. James or the nostalgic elegance of Neville Cardus, but few books about cricket have been fiction, and even fewer of them have been much good. While Joseph O’Neill’s recent Netherland (2008) was a fine offbeat novel that featured cricket, there have been no great works of cricket fiction. Until now.

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A favourite quiz question for cricket history buffs has been ‘Who is the only Nobel Prize winner to play first-class cricket?’ Answer: Samuel Beckett. A question for cricket bibliophiles now might well be ‘Which Nobel Prize winner contributed an essay to an Australian cricket book?’ Answer: J.M. Coetzee.

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A book’s title should indicate its subject and, even better, its approach to its subject. Basic dictionaries define a companion as one who ‘accompanies another’, is an ‘associate in’, or a ‘sharer of’. A secondary definition is a ‘handbook or reference book’; a thing that ‘matches another’. I anticipate that a book called a ‘Companion’ will be company, will allow me to associate, to share, refer, and be matched as though with a real-life companion; a partner. Given that the book is published by a major university press, it is expected that the companion may be more of a mentor than a guide, but still present information in a lively, accessible style.

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In the early 1990s the cricket tour book, like the western movie, seemed dead and buried. The formulas played themselves out around 1970, though the genre had a strong structure which allowed for fitful new interpretations. Direct telecasts of Test cricket and video highlights of series appeared likely to kill the tour book. Who needed to read about it when, having witnessed the games ball by ball, judgement could be passed again with the aid of electronic recording equipment? Yet a Test series offered a strong structure on which a skilful author could make interesting variations.

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In an age when cricketing biographies predominantly lionise one-dimensional and vacuous individuals, this is a pleasurable reminder of an earlier era when even test players had regular jobs and a better sense of balance about life’s priorities.

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On 18 January 2004 the Victorian cricket team defeated South Australia in an ING Cup match. After the game, some of the cricketers and officials, including the Victorian coach David Hookes, and their girlfriends, assembled at the Beaconsfield Hotel, in St Kilda. Hookes had played twenty-three test matches for Australia between 1977 and 1986, at an average of 34.36 runs. After retiring as a player, Hookes, beside his coaching duties, had carved out a successful career as a broadcaster and media commentator. As closing time approached, security staff informed the group that it was time to leave. Approximately fifteen minutes later in the car park, Hookes received a punch from security guard Zdravko Micevic, and fell and hit his head on the ground. He died in the early hours of the next morning. Micevic was charged with the crime of manslaughter, but was subsequently acquitted by a jury on the grounds of self-defence.

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My Spin On Cricket by Richie Benaud & Out Of My Comfort Zone by Steve Waugh

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February 2006, no. 278

Like most professional sports men and women, Steve Waugh and his brother Mark were supported enthusiastically from the start by their parents. To begin with, enthusiasm was about all that Bev and Roger Waugh brought to the cricketing aspirations of their twin sons, with the result that their ‘very first official game of cricket [for Panania-East Hills Under 10s] was in many ways a disaster’. Mark and Stephen having made first and second ball ducks respectively, ‘wearing our only pad on the wrong leg and the placement (by our parents) of our protectors on our kneecaps’, was an embarrassment that was much harder to disown than zeros in the scorebook.

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Eddie Gilbert by Mike Colman and Ken Edwards & Mark Waugh by James Knight

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September 2002, no. 244

This summer, browsers will probably find these chronicles of Eddie Gilbert and Mark Waugh snuggled close together in bookshops. Both, after all, are biographies of Australian cricketers, written by journalists, and published by firms with strong sporting backlists. But their proximity will be misleading. Cricket contains few less similar careers, and has generated few more different narrative styles. Indeed, reading them consecutively is to appreciate how stealthily our understanding of ‘biography’ has been elasticised.

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Gideon Haigh is turning into something of a one-man industry on cricket in Australia. Following highly successful books on the Packer revolution, Allan Border’s reign, and a recent defence of the Ashes, he has now turned his attention to the crucial years 1949 to 1971 when Australia went from being undisputed world champions to a side being overtaken, not merely by England but for the first time by South Africa, which would shortly be expelled because of its practice of apartheid, with the so-called Third World countries showing that they would not remain beaten for much longer. It opens, in other words, with Donald Bradman about to depart and ends with the ruthless sacking of Bill Lawry and the arrival of Ian Chappell as new captain.

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I write this review the day after the Fifth Test. Australia has finally won one. I personally wouldn’t give two squirts of goat shit for the Australian selectors but this time they can tell us what to do with our cricket bats. Peter Taylor has taken six for and two for, batted with determination, and won the man of the match. (A shocking decision, by the way. It was Jones, then daylight, then Taylor and Emburey, and I don’t like Victorian batsmen and Poms who played in South Africa.) Twelfth man for Australia was Greg Matthews, who bowls off-spin and bats with determination. Like Taylor, whom Matthews would no doubt call ‘the man’ at the moment. Does this mean Matthews is on the way out, and that Roland Fishman’s mid-career biography, Greg Matthews: The Spirit of Modern Cricket, is one of the sillier Penguins, a book destined to become as popular as Andrew Jones’s autobiography? (Remember Andrew Jones, the oncer in the federal parliament in the mid-sixties? The relevant tome used to be on sale at Mary Martin’s at ten cents, two copies five cents …)

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