A major new exhibition opened at the end of September at the Victoria and Albert Museum in London: Opera: Passion, Power and Politics. The first of the three qualifying terms needs little explanation as a potential subject; as the title of Peter Conrad’s book A Song of Love and Death (1987) has it, opera is popularly seen as the supreme dramatic embodiment of passion in its various forms. The art form evolved in the city courts of Mantua and Florence in late Renaissance Italy, with the first public opera houses appearing in republican Venice in the 1630s. Opera has never completely lost its connection to centres of power and influence, however egalitarian its later intentions. This is made manifest in many European cities, where pride of place is given to an opera house as a display of royal or civic authority and prestige. And not only in Europe, but the saga surrounding the opera houses that were situated in three different locations on the island of Manhattan tell us much about the society of the city, so eloquently articulated in the fiction of Henry James and Edith Wharton. The case for Sydney needs no explanation. The Janus face of power is, of course, politics, and opera has always been imbrued with the political.
Michael Halliwell reviews 'The Politics of Opera: A History from Monteverdi to Mozart' by Mitchell Cohen
The Politics of Opera: A History from Monteverdi to Mozart
by Mitchell Cohen
Princeton University Press (Footprint), $84.99 hb, 512 pp, 9780691175027
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Michael Halliwell studied music and literature at the University of the Witwatersrand in Johannesburg, and at the London Opera Centre. He has sung in Europe, North America, South Africa, and Australia, and was principal baritone for many years with the Netherlands Opera, the Nürnberg Municipal Opera, and the Hamburg State Opera. He has sung over fifty major operatic roles.
He has published widely in the field of music and literature and is Vice President and Editorial Board Member of The International Association for Word and Music Studies (WMA). His book, Opera and the Novel, was published by Rodopi Press in 2005. He is working on a book: Myths of National Identity in Contemporary Australian Opera (2016). Currently on the staff at the Sydney Conservatorium of Music, he has served as Chair of Vocal Studies and Opera, Pro-Dean and Head of School, and Associate Dean (Research). He has recently premièred Lawrence Kramer's song cycles, Five Songs and an Epilogue from The Wings of the Dove (Edinburgh), Nine Songs to Ezra Pound (Vienna), Crossing the Water (Santa Fe), and Sounds and Silences (London).
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