Few organisations defend their reputation more vigorously than the Australian Defence Force (ADF). Long since clasped to the national bosom, the ADF has no intention of being shoehorned out of its prized position at the heart of Australian identity and culture. The first duty of its public affairs personnel is to protect the brand – a brand, it believes, is fragile and under constant assault. In reality, the ADF’s reputation is virtually unbreakable. At one point during 2011 there were six separate investigations running simultaneously into various aspects of ADF culture, including inquiries into personal conduct within the ADF, the use of alcohol, the treatment of women at the Australian Defence Force Academy (ADFA) and in the ADF more broadly. Sparked by the ADFA Skype Sex Scandal, the investigations laid bare a toxic culture of misogyny, bullying, and abuse. What damage did this scarifying experience inflict on the ADF’s standing in the eyes of the public? In February 2012, while new allegations of abuse were still surfacing, Essential Research asked its polling sample ‘How much trust do you have in the following national institutions?’ The ADF came in top, well ahead of the Federal Police, the Federal and High Courts, ASIO, the Reserve Bank, and the Commonwealth Public Service.
Kevin Foster reviews 'No Front Line: Australia’s special forces at war in Afghanistan' by Chris Masters
No Front Line: Australia’s special forces at war in Afghanistan
by Chris Masters
Allen & Unwin, $32.99 pb, 609 pp, 9781760111144
If you are a single issue subscriber you will need to upgrade your subscription to view back issues.If you are already subscribed, click here to log in.
Dr Kevin Foster is Head of the School of Languages, Literatures, Cultures and Linguistics at Monash University. He has published widely on war, cultural history and national identity and his work has appeared in a range of national and international journals. His most recent book is Don’t Mention the War: The Australian Defence Force, the Media and the Afghan Conflict (2013).
By this contributor
Leave a comment
Please note that all comments must be approved by ABR and comply with our Terms & Conditions.
NB: If you are an ABR Online subscriber or contributor, you will need to login to ABR Online in order to post a comment. If you have forgotten your login details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to firstname.lastname@example.org. We will review your comment and, subject to approval, we will post it under your name.