Open Page with Kristina Olsson

Why do you write? Kristina OlssonIt’s always about a question; the book is my attempt at answering it. The learning curve is what lures me to the desk each day. Are you a vivid dreamer? On and off, but I rarely get the spectacular or the memorable. Where are you happiest? With my family, on a walking track, among trees and fields. Also, on a sofa with a book in my hands. What is your favourite film? A recent favourite is The King’s Choice, a Norwegian movie that centres around issues of political neutrality I was trying to look at in Shell (2018). Each Scandinavian country faced excruciating choices, and this one involved King Haakon VII and his actions in the face of the Nazi invasion. And your favourite book? As we speak: Michael Ondaatje’s In the Skin of a Lion (1987), followed closely by Nan Shepherd’s The Living Mountain (1977). Name the three people with whom you would most like to dine. W.G. Sebald, Jørn Utzon, Tove Jansson, and Debbie Kilroy. That’s four, I realise. Which word do you most dislike, and which would you like to see back in public usage? Two words used together: all good. It rarely is. Then: imbroglio. Who is your favourite author? Michael Ondaatje, with Marilynne Robinson and Barbara Kingsolver close behind. And your favourite literary hero and heroine? John Ames in Gilead, and a tie between Olive Kitteridge in the book of the same name, and Little My in Tove Jansson’s Moomins series. Which quality do you most admire in a writer? Courage. Humility. Name an early literary idol or influence whom you no longer admire – or vice versa. It took me a while to come to Virginia Woolf; I spent a lot of time wallowing around in more contemporary British women writers like Margaret Drabble, Penelope Lively, Pat Barker, Edna O’Brien. Now I reread To the Lighthouse whenever there’s a gap, and am about to dive into her diaries. I’ve also come late to Thoreau who, coincidentally, was much admired by Woolf. What, if anything, impedes your writing? Fear. It also drives it. How do you regard publishers? Askance, apart from my own: Scribner Australia. I’m a little in love with every person on staff. What do you think of the state of criticism? Mixed. But those doing it well are among the best in the world. And writers’ festivals? So varied. I admire those with pluck and verve, those that treat artists and audiences as intelligent and discriminating beings. Are artists valued in our society? Yes, up to a point, beyond which they’re treated with suspicion and irony. What are you working on now? A book of hybrid non-fiction, digging down through the geological layers beneath inner Brisbane to the volcanic rock that influenced its shape, its fauna and flora, its myths and narratives. And me. Kristina Olsson is an Australian writer, journalist and teacher. Her most recent novel, Shell, has just been released by Scribner Australia.

Why do you write?

Are you a vivid dreamer?

Where are you happiest?

From the New Issue

The Floating University: Experience, empire, and the politics of knowledge by Tamson Pietsch

‘Rinbo Abdo’, a new poem by Philip Mead

Vincent Namatjira edited by Vincent Namatjira

Letters to the Editor - April 2024

You May Also Like

Open Page with Amanda Lohrey

Interview with Meredith McKinney on translating Judith Wright

Poet of the Month with Philip Mead

Open Page with Sofie Laguna