Thea Astley

Returning to live in Queensland seems to have done something to Thea Astley’s perception of Australian country life. In this novel, as well as in her previous one, A Kindness Cup, she gives as appalling and scathing a vision of life in rural Australia as has come from any novelist since Barbara Baynton. Although her prose is as bitingly astringent as ever in this book, it lacks the sardonic humour of her recent collection of short stories Hunting the Wild Pineapple. The pessimism and anger are almost unrelieved.

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There nine stories in this volume are rich in people, satire, compassion, and humour. And set like ambushes, unexpected and surprising, are several cameos. It is a captivating, ensnaring book, but to call it a book of short stories would be so inadequate as to be misleading. There is an uncommon coherence, slender but powerful enough to raise it above that easy classification.

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An interview with Thea Astley

Ramona Koval
Wednesday, 20 November 2019

The whole of inland Australia is manoeuvred, manipulated by the weather and by seasons, especially if you are in primary industry. I always like the story, I was travelling north once on the plane and the person next to me said that they hadn’t had rain for seven years. They were living out around Mt Isa and the first time it fell, his five-year-old ran in screaming with fright. But that’s probably one of those north Queensland stories.

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Kerryn Goldsworthy reviews 'Drylands' by Thea Astley

Kerryn Goldsworthy
Tuesday, 06 August 2019

Do not attempt to judge this book by its amazingly beautiful but iconographically confusing cover. A close-up photograph of a single leaf shows its veins and pores in tiny detail. The colours are the most pastel and tender of creamy greens. Superimposed over this lush and suggestively fertile image is the book’s one-word title: Drylands ...

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Thea Astley had a way with words. Her novels are studded with arresting metaphors, atrocious puns, hilarious one-liners, arcane words, technical terms from music, geometry and logic, religious and literary allusions. Her verbal pyrotechnics can be dazzling and infuriating, in equal measure: as Helen Garner once wrote, it is ...

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The record for the largest number of Miles Franklin Literary Awards ever won is jointly held by Tim Winton and Thea Astley, with four wins each. It may seem odd that with three of those already behind her, Astley should also have won the Patrick White Award in 1989 for ‘a writer who has been highly creative over a long period but has not necessarily received adequ ...

It’s Raining in Mango: Pictures from the Family Album was first published in 1987, on the eve of the bicentenary of white settlement in Australia, when many versions of the story of Australia were advanced and debated. Thea Astley’s book presents a family, the Laffeys, as a microcosm of the national story. It is a novel made up of stories told by Connie ...

Thea Astley

Monday, 16 February 2015

Thea Astley (25 August 1925–17 August 2004) was an Australian novelist and short story writer. Her first novel, Girl with a Monkey, was published in 1958. She was a prolific and multi-award-winning writer who published fifteen novels and two short story collections and won the Miles Franklin award four times (for The Well Dressed Explorer in 1962, fo ...

Shirley Walker reviews 'Nine Lives'

Shirley Walker
Wednesday, 04 May 2011

Susan Sheridan’s Nine Lives, a ‘group biography’, analyses the life stories and literary achievements of nine Australian women writers. The purpose, according to Sheridan, is not only to rediscover the life story of each, but also, by exploring their publishing and aesthetic context, to create a ‘fresh configuration’ of our literary history.

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