The Ring Cycle
Richard Wagner’s famous pronouncement, ‘Kinder, schafft Neues!’ (‘Children, create something new!’), has often been the inspiration to take daring creative risks, particularly (but not exclusively) with productions of his works. Using The Ring as a starting point, directorial licence has been extended in all sorts of intriguing ways that have, over the years, seen Valkyries roaring around on motorcycles, Rhinemaidens as strutting Victorian doxies, the dragon Fafner at the turret of an army tank, Wotan as a Texan oligarch, Siegfried as a hippie, and Gunther and the Gibichungs as Nazis.... (read more)
Finally liberated from the solitude of our lounge rooms and Netflix subscriptions, sitting in Melbourne’s Regent Theatre shoulder-to-shoulder on Wednesday night felt like a forbidden treat. The palpable exuberance of being back on the town, though, was tempered by a profound appreciation of our delicately privileged position. As the first major opera performance in Melbourne after a protracted Covid shutdown of the live performing arts, Melbourne Opera’s Das Rheingold marks an important moment in the cultural life of the city – the beginning both of Richard Wagner’s Ring Cycle and of a new chapter in the living operatic history of Melbourne.... (read more)
Der Ring des Nibelungen, presented by Opera Australia three years after its première in Melbourne, was a great success, mostly because of the excellence of the singing ...... (read more)
Peter Rose interviews American Soprano Amber Wagner for the ABR Podcast following the first cycle of Richard Wagner's Der Ring des Nibelungen, which is being presented in Melbourne by Opera Australia. Amber Wagner plays the role of Sieglinde in the second opera Die Walküre.