‘Ice is everywhere,’ observes the narrator of Ice, Louis Nowra’s fifth novel, before succumbing to a bad case of the Molly Blooms and giving us a few pages of punctuation-free interior monologue. No wonder he’s so worked up: ice, in Ice, really is everywhere. It is subject, motif, organising principle, and all-purpose metaphor; it is death, life, stasis, progress; it is seven types of ambiguity and then some. For variety’s sake, Nowra occasionally wheels out a non-frozen alternative – taxidermy, waxworks – but the design is clear: these are merely different nuclei around which the same cluster of metaphors gather.'... (read more)
Louis Nowra was born in 1950 and is – as he presents himself in this memoir – that very mid-century thing, an outsider. An outsider in terms of class, mental constitution, and sexuality (for a time), Nowra suffers a worse, and originary, alienation from his mother. Being born on the fifth anniversary of his mother’s shooting of her father ...... (read more)
Why do you write? If I knew the answer to that I probably wouldn’t write. Are you a vivid dreamer? I know I dream, but all I remember are my nightmares. Where are you happiest? Weekends in bed with my wife, Mandy, and Coco and Basil, our chihuahuas ...... (read more)
In his most recent book, Woolloomooloo: A biography, author and playwright Louis Nowra sets out to discover why the word ‘Woolloomooloo’ is still ‘a shorthand for notoriety ...... (read more)
The world’s last known Tasmanian tiger died in Hobart Zoo in 1936. Surviving film footage of the marsupial is brief. No sound recordings exist of a thylacine’s bark or cough. Its extinction is one of Australia’s most lamentable tales. Nowra’s sad, dark novel imagines how these carnivores could care for two children lost in the wilderness.