Josephine Taylor

Determining connections between books sent as a review bundle is not mandatory, but there is an irresistible tendency to find some common theme. In the case of these three novels, the theme of women’s pain, and hidden pain at that, does not need to be teased out – it leaps out. Since it is unlikely that three different authors would have colluded, the prevalence of this is worth deeper reflection, especially considering recent titles such as Kylie Maslen’s essays on illness, Show Me Where It Hurts, or Kate Middleton’s extraordinary memoir essay ‘The Dolorimeter’, placed second in the 2020 Calibre Prize.

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Since the publication of her acclaimed first novel, Blood Kin (2007), Ceridwen Dovey has established herself as an intelligent author who typically probes what it means, and might mean in the future, to be human. Equally au fait with literary analysis, politics, and science, Dovey has since 2007 published several more books of fiction, two non-fiction books, and numerous essays, contributing regularly to The Monthly and The New Yorker. Now she has extended her range in fiction to a lighter mode, focusing on contemporary life and the pleasures of storytelling. Publishing in audio form has worked well in signalling Dovey’s new voice: Life After Truth was first published through the Australian and New Zealand Audible Originals program in November 2019, and her novel Once More with Feeling was released as an Audible Original in May 2020.

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Carol Lefevre has shown herself adept at exploring connection and alienation in different genres. In The Happiness Glass (2018), the ambiguous zone between fiction and memoir forms a creative space within which Lefevre plumbs the intricacies of motherhood and loss; home and exile. Murmurations is imbued with similar tropes, the slight heft of the book belying its ethical density and the scope of its narrative ambition.

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In 1969, in a quintessentially Australian town on the remote north-west coast, the locals prepare to celebrate their role in the moon landing. In 2000, as the townsfolk brace themselves for a cyclone, Lucky, this novel’s pink and grey narrator, uses transmissions from a satellite dish tuned to galah frequency to make sense of what ...

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Shortly after her son, Luke, was murdered by his father, Rosie Batty spoke of the non-discriminatory nature of family violence: ‘No matter how nice your house is, how intelligent you are. It can happen to anyone, and everyone.’ If Batty’s is an example of the less easily imagined site of domestic violence, Anna Spargo-Ryan’s second novel, The Gulf, ...

In the midst of preparing for an important London exhibition, photographer Andrew is drawn back to Australia by the sudden disappearance of his former girlfriend, Kirsten ...

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It is the morning after a husband's affair has been discovered, and the house is in chaos: the opening to Tolstoy's Anna Karenina (1877) is deliberately evoked in Toni ...

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Kankawa Nagarra Olive Knight is a leader in the Wangkatjungka community, south-east of Fitzroy Crossing in the Kimberley. For The Bauhinia Tree, her eventful seventy-year life story was recorded by Terri-ann White, then 'transcribed and refined' by White and Kankawa Knight. While the material has been edited to remove hesitations and interventions, the oral ...

In Jo Case's 'Something Wild', young single mother Kristen is tempted to rediscover 'the thrill of doing what she feels like, just to see what happens'. She could be speaking for characters in many of the pieces in The Best Australian Stories 2015, a collection that features people on the verge of transgression. As Amanda Lohrey writes in her introduction, ...

The Wilkie family has farmed cattle at the edge of the desert for 130 years. When catastrophe strikes, three generations of men must wrestle with secrets from the past and the present. The decision whether or not to continue on a failing station becomes critical; definitive action no less testing.

The subtitle juxtaposes elegy and irony: though some characte ...

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