Alison Broinowski

Alison Broinowski reviews 'The Wild Goose' by Mori Õgai

Alison Broinowski
Tuesday, 25 November 2014

Elegantly evoking Japan with cream paper and ink-painted foliage on the cover and inside pages, this slim paperback from the small Braidwood publisher Finlay Lloyd is headed by the single, bold character for ‘wild goose’ (karikarigane). The events recounted in Mori Õgai’s novella occur in Tokyo in the late nineteenth century, in the area north of Kanda ...

Alison Broinowski reflects on Haruki Murakami’s writing style and reviews his latest novel.

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Alison Broinowski reviews 'The Yellow Papers'

Alison Broinowski
Wednesday, 23 July 2014

The three parts of Dominique Wilson’s story are linked together by racial prejudice, of Australians towards Asians, and of Chinese, Koreans, and Japanese towards Westerners. She picks up this well-worn thread in pre-Federation Australia and weaves it in and out of the narrative, tying it off when China is in the throes of the Cultural Revolution. During the twenti ...

Alison Broinowski reviews 'The Storyteller and his Three Daughters'

Alison Broinowski
Thursday, 31 October 2013

For centuries, Japan has magnetised the West’s imagination, evoking both fear and fascination. In the late nineteenth century, when most writers and readers in Europe, North America, and Australia had yet to see this ‘young’, newly accessible country for themselves, literary fantasies on the Madam Butterfly theme became a craze. Then, after Japan invaded ...

Alison Broinowski reviews 'Lightning'

Alison Broinowski
Thursday, 27 June 2013

Few first novelists are as assured and articulate as Felicity Volk. She has designed an elemental structure for her story: wind, fire, earth, and water each have a section. Her time frame goes centuries deep, naming ancestors who, in the style of Genesis, begat and begat seven generations, until they reach Persia, an Australian with Arab, European, and British ...

Alison Broinowski reviews 'Desert Passions'

Alison Broinowski
Sunday, 28 April 2013

I once fell out with an intelligent, well-read woman who refused to believe me when I said I had never read a Mills & Boon book. I should perhaps have admitted that the job I had as a student, proofreading stacks of popular novels for an Adelaide publisher, put me off them for life. Now I am grateful to Hsu-Ming Teo for educating me so thoroughly on romantic fic ...

It is ten years since the invasion of Iraq by the United States and the few countries willing to join it. Happening to be in Washington in February, and recalling worldwide protests in 2003, I was struck by what seems to be American amnesia about the war and its consequences. At least in Australia groups are exploring ways to prevent such catastrophic expediti ...

Alison Broinowski on Asian Australian fiction in the Asian Century

Alison Broinowski
Thursday, 31 January 2013

White Papers are falling on Australia like confetti. We had two on foreign affairs and one on terrorism in the seven years to 2004; the third one on defence in four years will appear this year, and in October 2012 Ken Henry delivered Australia in the Asian Century. Defence White Papers are perennially concerned with Australia’s need for the material and mon ...

Alison Broinowski reviews 'The Waterlow Killings' by Pamela Burton

Alison Broinowski
Wednesday, 28 November 2012

To hear that Pamela Burton was writing about the deaths of Nick Waterlow, the prominent gallery director and exhibition curator, and his daughter Chloe, came as a surprise. Anthony Waterlow, Nick’s son and Chloe’s older brother, killed them both in Chloe’s Clovelly house, where he had been invited for dinner, and then, with the same knife, attacked her two-yea ...

Every migrant has a story. The past two decades have given us accounts of migration to Australia from so many Asian countries, and from so many viewpoints – sad, painful, funny, cynical, mystical – that little more seems left to tell. But now, out of Africa, comes a writer with a new and altogether more terrible tale.

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