Recently, the chief classical music critic of The New York Times, Anthony Tommasini, adroitly summarised the nebulous perils of his job: ‘Music, especially purely instrumental music, resists being described in language. It’s very hard to convey sounds through words. Perhaps that’s what we most love about music: that it’s beyond description, deeper than words. Yet the poor music critic has to try.’ Many have indeed tried and, despite the demands of daily or nightly deadlines, more than a few of them have succeeded in conveying to the general reader the essence of what they hear and see. Mr Tommasini, who attends at least three (probably more) musical events a week, is certainly one of these critics. His preparation: ‘A lifelong immersion in music.’
Michael Shmith reviews 'Ernest Newman: A critical biography' by Paul Watt
Ernest Newman: A critical biography
by Paul Watt
The Boydell Press, $45 hb, 270 pp, 9781783271900
Michael Shmith was arts editor of The Age from 1985 to 1993. He was the paper’s opera critic from 2010 to 2017. He is also the...
If you are a single issue subscriber you will need to upgrade your subscription to view back issues.If you are already subscribed, click here to log in.
Leave a comment
Please note that all comments must be approved by ABR and comply with our Terms & Conditions.
NB: If you are an ABR Online subscriber or contributor, you will need to login to ABR Online in order to post a comment. If you have forgotten your login details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to email@example.com. We will review your comment and, subject to approval, we will post it under your name.