Benjamin Madden reviews 'Empire of Things: How we became a world of consumers, from the fifteenth century to the twenty-first' by Frank Trentmann

Benjamin Madden reviews 'Empire of Things: How we became a world of consumers, from the fifteenth century to the twenty-first' by Frank Trentmann

Empire of Things: How we became a world of consumers, from the fifteenth century to the twenty-first

by Frank Trentmann

Allen Lane, $69.99 hb, 862 pp, 9780713999624

If there is a single event that marks the maturity of a new field of study, it may well be the appearance of a sprawling monograph from a trade publisher. Empire of Things: How we became a world of consumers, from the fifteenth century to the twenty-first by Frank Trentmann, Professor of History at Birkbeck University College of London, announces the arrival of consumption history in lavish style. Consumption, defined as ‘the acquisition, flow and use of things’, is a defining feature of twenty-first century life. That much we can all agree on. Beyond this, certain obdurate myths obtain, against which the history of consumption sets itself.

The most familiar of these is a definition of consumption as ‘private choice, rampant individualism and market exchange’, emerging after World War II in the West (particularly in the United States) and spreading out from there. On closer inspection, however, the roots of modern consumption reach back to at least the fifteenth century. This history has often been told from the perspective of production, but to approach this lengthy historical span from the perspective of consumption is to experience a paradigm shift. Technological change and the forces of production are not the only drivers of economic and social development; consumption, along with the forces that alternately encourage and constrain it, is just as important.

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Benjamin Madden

Benjamin Madden

Benjamin Madden is a scholar of modernist literature, educated at the Universities of Adelaide and York. His work has appeared in the Times Literary Supplement and other outlets. He is the former editor of Modernism/modernity, and presently teaches literature at the University of Adelaide.

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