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Michael Shmith

It has to be said straight away that William Tell is a colossal challenge, almost as much for its audiences as its performers. People talk of Wagner’s Curse (what can go wrong, usually does, in spades), but Rossini’s operatic swansong is not far behind. What makes it especially daunting for any opera company brave or foolhardy enough ... ... (read more)

Opera is not a small artform. It is labyrinthine, multi-faceted, fraught with things that can go disastrously wrong (Wagner, especially), and it can be dreadfully expensive, formidably divisive, and astonishingly complicated. At the same time, opera is so necessarily crucial to culture as a reflection of history, thought, and ...

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Recently, the chief classical music critic of The New York Times, Anthony Tommasini, adroitly summarised the nebulous perils of his job: ‘Music, especially purely instrumental music, resists being described in language. It’s very hard to convey sounds through words. Perhaps that’s what we most love about music: that ...

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Tony Garnett, one of the most respected figures in British television drama, is also one of its most reclusive. Most people these days have almost certainly never heard of him, or, if they have, probably think he is a distant relation of Alf Garnett, of Till Death Us Do Part fame.

Even though the cantankerous Alf was a fictional character (played by ...

Originally published in German, Albrecht Dümling’s The Vanished Musicians: Jewish refugees in Australia (Peter Lang), a fascinating compendium of Jewish musicians who found refuge in Australia in the 1930s and 1940s, is now available in Australian Diana K. Weekes’s excellent translation ...

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Brett Dean, perhaps Australia's pre-eminent composer and certainly one of its most productive, is personable, witty, and engaging. He talks with heartfelt eloquence about ...

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Why an A-Z of Brendel? Well, this is what the man himself has to say in the preface to his slim volume, A Pianist's A-Z: A piano lover's reader (2013): 'This book distils what, at my advanced age, I feel able to say about music, musicians, and matters of my pianistic profession ...

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In the early 1990s, after Leo Schofield was – not without controversy – appointed the artistic director of the Melbourne Festival, Clive James referred to our own emerging cultural tsar as 'Australia's Diaghilev'. Which, I guess, retrospectively makes Sergei Pavlovich Russia's Schofield.

There is an element of truth in James's witticism, especially these ...

Just in time for the Frank Sinatra centenary – 12 December should be a gazetted public holiday – comes the thumping second part of James Kaplan's monumental biography. Taken together, Volume I – Frank: The Voice (2010, 786 pages) – and its behemoth successor, Sinatra: The Chairman (979 pages), comprise a formidable and scrupulously detailed ...

To highlight Australian Book Review's arts coverage and to celebrate some of the year's memorable concerts, operas, films, ballets, plays, and exhibitions, we invited a group of critics and arts professionals to nominate their favourites – and to nominate one production they are looking forward to in 2016. (We indicate which works were reviewed in Arts Up ...

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