Memoir

Suzy Freeman-Greene reviews 'In the Darkroom' by Susan Faludi

Suzy Freeman-Greene
Monday, 19 December 2016

The subject line of the email ­– from a father in Budapest to his daughter in Oregon – is ‘Changes’. ‘I’ve got some interesting news for you,’ writes Steven. ‘I have decided ...

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Songs are of great importance to the Dinka people of South Sudan. ‘They’re our avatars, and our biographies. They precede us, introduce us, and live on after we die,’ writes the refugee advocate, Archibald muse, and NSW Australian of the Year for 2017, Deng Thiak Adut. His memoir, Songs of a War Boy, serves as a profound if disturbing ballad to his tr ...

Michael McGirr reviews 'Press Escape' by Shaun Carney

Michael McGirr
Wednesday, 23 November 2016

You can judge this memoir by its poignant cover. It shows a picture of the author taken in 1966 when he was eight or nine years old. Behind him is one of the accessories of the baby boomer period, a Volkswagen. The Beetle is parked near long grass, redolent of Melbourne’s outer suburban fringe, an area that features prominently in Shaun Carney’s account of his o ...

In his introduction to Bob Ellis: In his own words, Bob’s son Jack says of his father that ‘writing was his reason for being ... and through his writing he saw himself in conversation ...

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It seems appropriate in an account of justice thwarted that the name of journalist Peter Greste’s father is Juris. In 2013, Greste, an Al Jazeera journalist, was accused with colleagues ...

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'Is the Mystery of Raoul Wallenberg's Death Finally Solved?' asked a headline in Israel's Haaretz newspaper, on 6 August 2016. The New York Times published a similar story ...

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Across two new titles, Maxine Beneba Clarke offers an unflinching portrayal of the impact of racism, and transcends form in turning a lens on Australian society ...

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In her mid-thirties, British writer and critic Olivia Laing moved to New York City to live with her partner. When the relationship ended, Laing found herself alone ...

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One of the claims that is sometimes made for the memoir form is that it gives the author a degree of release from the past. Getting it down on paper can also be about ...

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At the bottom of one of Kim Mahood's desert watercolours, she scrawled, 'In the gap between two ways of seeing, the risk is that you see nothing clearly.' A risk for ...

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