Brenda Niall reviews 'A Steady Storm of Correspondence: Selected Letters of Gwen Harwood 1943–1995' edited by Gregory Kratzmann
W.H. Auden, following Samuel Butler, thought that ‘the true test of imagination is the ability to name a cat’, and plenty of people, poets, and others have believed this: to recast a dictum of Christ’s, if you can’t be trusted with the cats, why should we trust you with the tigers? Gwen Harwood could be trusted with the cats, and with yet more domestic things; here, for example, is her fairly late poem ‘Cups’... (read more)
Five poems have been shortlisted in the 2016 Peter Porter Poetry Prize. The poets are Dan Disney, Anne Elvey, Amanda Joy, Lisa Gluskin Stonestreet, and Campbell Thomson; their poems can be read
Dust without dimension
The November 13 attacks on ordinary citizens in Paris have outraged and galvanised the world community. We share this sense of revulsion. Australia has a large French population and a rich tradition of Francophilia. Our sympathies go to our French readers and to the families of all the victims.
Words, at such times, are de trop. Not La Marseillaise ...
Ann-Marie Priest reviews 'The Best 100 Poems of Gwen Harwood' by Gwen Harwood, edited by John Harwood
In ‘Late Works’, the last poem in Black Inc.’s new selection of Gwen Harwood’s poetry, a dying poet, determined to pen her ‘late great’ poems, calls from her hospital bed for paper. The nurse, misunderstanding, brings toilet paper, much to the poet’s chagrin. It is a typical Harwood inversion ...... (read more)
Susan Sheridan’s Nine Lives, a ‘group biography’, analyses the life stories and literary achievements of nine Australian women writers. The purpose, according to Sheridan, is not only to rediscover the life story of each, but also, by exploring their publishing and aesthetic context, to create a ‘fresh configuration’ of our literary history....