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Christopher Raja

The potential for Australian literature to address the history of colonised people in this country and elsewhere is of great consequence. New perspectives not only rewrite history to include ‘herstory’, but also reconsider what we believe and broaden our view of ourselves as active contributors to our collective and individual past. A spate of recent books has attempted to do this: Anita Heiss’s Bila Yarrudhanggalangdhuray: River of Dreams (2021) and Geraldine Brooks’s Horse (2022) are two that come to mind.

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Set during the lead-up to the assassination of Prime Minister Indira Gandhi by her Sikh bodyguards in 1984, The Burning Elephant is coloured by political eruptions. Through the eyes of young Govinda, a story unfolds about discord within a marriage, sectarian violence, and the anticipation of a family preparing to emigrate to Australia.

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