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Biography

The ‘land of smiles’ was what they called Prague under German occupation during World War II – at least the Germans did. Few locals. Fresh vegetables and meat were available (to Germans) in quantities unknown back in Germany. Until close to the end, there were more than a hundred cinemas operating in the city, as well as theatres, concert halls, and numerous other places of entertainment. After all, Goebbels was not only passionate about culture in general, but keen, he said, to initiate a ‘lively cultural exchange’ with Czechoslovakia in particular.

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Who was John Maynard Keynes? Was he the bookish Cambridge don who penned ambitious theories to overturn the tenets of economics and political liberalism? Or was he Baron Keynes of Tilton, the ardent imperialist who viewed British rule as a benevolent force bringing justice, liberty, and prosperity to the societies it administered? Was he a meticulous Lothario who kept lists of his hookups with anonymous men on notecards? Was he also a political statesman who lambasted the intransigency of his colleagues during fraught negotiations in two world wars?

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Michael Gawenda’s engaging biography of Melbourne lawyer Mark Leibler traverses matters of Australia’s migration history, Jewish identity, and political influence. What has it meant to live a Jewish life in an Australian city? What have been the intergenerational impacts of the Holocaust, anti-Semitism, and the establishment of the Stat ...

Ben Bland, a Financial Times correspondent in Indonesia in 2012–15 and currently director of the Southeast Asia Program at the Lowy Institute, had a ringside seat to watch the rise of Indonesia’s President Joko Widodo (also known as Jokowi). By his own account, Bland has met him more than a dozen times. Jokowi was a furniture-maker and -exporter, mayor of Solo, and governor of Jakarta before being elected president in 2014. Bland has written a good introduction to the Jokowi era that will appeal to the general reader but may leave the serious student of Indonesia unsatisfied.

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On May Day 1955, two years after his death, a colossal memorial to Joseph Stalin was unveiled on a prominent site north of central. Towering above the city and containing 14,000 tons of granite, it was the largest statue of the dictator ever created. Stalin was depicted at the head of a representative group of citizens, dubbed by some as a bread queue. Otakar Švec, a prominent Czech sculptor, had won the commission in 1949. After the work’s stressful gestation, he killed himself shortly before the work was unveiled; there had been constant interference and police surveillance, and his wife committed suicide in 1954.

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Melburnians above a certain age will remember Coles in Bourke Street. Unknown to most of them, it stood on the site of another Coles, Cole’s Book Arcade, for half a century probably the most famous shop in Australia. Its founder, Edward William Cole, is now the subject of an engaging biography by Richard Broinowski.

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Max by Alex Miller

by
October 2020, no. 425

When Alex Miller first thought of writing about Max Blatt, he imagined a celebration of his life. But would Max have wanted that? He was a melancholy, chainsmoking European migrant, quiet and self-effacing, who claimed nothing for himself except defeat and futility.

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Miles Franklin used to delight in relating an anecdote about a librarian friend who, when asked why a less competent colleague was paid more, replied succinctly: ‘He has the genital organs of the male; they’re not used in library work, but men are paid more for having them.’

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There seems to be an ever-growing – I almost wrote market, but think I mean obsession – these days for the family history, the personal memoir, the parading of how I spent my childhood/adolescence/ protest years/personal and economic growth decades, before-finally-contributing-to-the-joy-of-past-and-future-generations-by-listing-my-achievements. Many of these are self-published. Kristin Williamson’s biography of her playwright husband is not, but perhaps should have been.

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The voice on the car radio was not immediately recognisable, nor was the song familiar to me. There was just a smoky laid-back piano and someone singing a song that sounded as though it was from the 1940s: ‘Young lovers, young lovers …’ I thought the voice, whomever it belonged to, had a real musicality in it, a precision of pitch and phrasing in tandem with a kind of liquid sweetness.

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