Andrew Fuhrmann

2016 Arts Highlights of the Year

John Allison et al.
Wednesday, 26 October 2016

To highlight Australian Book Review’s arts coverage and to celebrate some of the year’s memorable concerts, operas, films, ballets, plays, and art exhibitions, we invited a group of critics and arts professionals to nominate some favourites.

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Andrew Fuhrmann reviews 'Culture' by Terry Eagleton

Andrew Fuhrmann
Monday, 26 September 2016

No one should be surprised that Terry Eagleton has written yet another book about the excesses of academic postmodernism. Railing against the pretensions and deceptions and ...

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SHIT (fortyfivedownstairs) ★★★1/2

Andrew Fuhrmann
Monday, 09 May 2016

Patricia Cornelius has a passion for putting unlovely characters on stage. It has almost become an end in itself. Here she chooses, as her anti-social subjects, three violent, foul-mouthed women, all from broken families or foster homes, all victims of sexual and physical abuse, all bruised down ...

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Andrew Fuhrmann reviews 'Young Eliot' by Robert Crawford

Andrew Fuhrmann
Thursday, 26 November 2015

This long-anticipated first volume of Robert Crawford's biography of T.S. Eliot, the first with permission from the Eliot estate to quote the poet's correspondence and unpublished work, highlights the Young Eliot as – not least in the achievement of his poetry – always an Old Eliot. And yet the picture of Eliot as a child and adolescent is detailed. In Young ...

Arts Highlights of the Year

Robyn Archer et al.
Monday, 26 October 2015

To highlight Australian Book Review's arts coverage and to celebrate some of the year's memorable concerts, operas, films, ballets, plays, and exhibitions, we invited a group of critics and arts professionals to nominate their favourites – and to nominate one production they are looking forward to in 2016. (We indicate which works were reviewed in Arts Up ...

Dreamers

Andrew Fuhrmann
Wednesday, 12 November 2014

It is a romance of simplicity and much tenderness. There are two people, and they are in love. Their love is tested, but hope triumphs in the end.

Anne (Helen Morse) is in her sixties, a grandmother, still doing piece work to support herself while babysitting for her daughter. She begins a relationship with Majid (Yomal Rajasinghe), a much younger man of a d ...

Andrew Fuhrmann is Critic of the Month

Andrew Fuhrmann
Monday, 25 August 2014

Dozens of critics impress me, but the critic who made the greatest impression is John Dryden. Everything began with Dryden. It was his Essay of Dramatic Poesy (1668) that first inspired me to write about the theatre. Through Dryden I discovered a way of doing criticism that was more than description and analysis; here was criticism that was also the dramatisation of a contest and an exploration of competing positions; a form that was alive, like art itself, and where honest enquiry meant more than judgement.

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Night on bald mountain

Andrew Fuhrmann
Wednesday, 28 May 2014

Goats are ubiquitous in the work of Patrick White. Start looking for them and they appear everywhere, staring out, page after page, with wise, tranquil eyes, pellets scattering like secrets into dust.

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Patrick White: A theatre of his own

Andrew Fuhrmann
Wednesday, 30 October 2013

Andrew Fuhrmann’s acclaimed Fellowship essay on the theatre of Patrick White closely examines these brilliant, problematic plays and draws on interview material with key directors closely associated with White.

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Andrew Fuhrmann reviews 'Griffith Review 41'

Andrew Fuhrmann
Wednesday, 28 August 2013

And so Griffith Review is ten. It’s a credit to the publishing smarts of founding editor Julianne Schultz that the journal is now a fixture on the cultural landscape, alongside the country’s older literary journals. Griffith is the vantage not of the outraged so much as the frustrated, a reliable forum for passionate criticisms aimed at the i ...

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