Kerryn Goldsworthy reviews 'The Last Painting of Sara de Vos' by Dominic Smith

Kerryn Goldsworthy reviews 'The Last Painting of Sara de Vos' by Dominic Smith

The Last Painting of Sara de Vos

by Dominic Smith

Allen & Unwin $32.99 pb, 292 pp, 9781743439951

Australian-born Dominic Smith grew up in Sydney but has spent most of his adult life in the United States; he currently lives in Austin, Texas, where he is claimed as a 'Texan writer'. Despite the fact that this is his fourth novel, the fact that his previous novel was shortlisted for two major Australian literary prizes, and the fact that he is clearly a major talent, his name is largely unfamiliar to Australian readers. The question 'What exactly is an Australian writer?' has popped up regularly for the last 200 years, but is getting harder and harder to answer.

'Sara de Vos is a character built out of gaps and silences,' Smith has said in an essay for the Paris Review (April 2016). Titled 'Daughters of the Guild', the essay gives some fascinating background information to the writing of this novel, discussing the art of the Dutch Golden Age and the women painters of that time and place who have been all but lost to history, and giving some insights into the creative process as Smith both imagined and experienced it in the writing of his latest novel. The character of Sara is an imagined one, but she has her genesis in the fate of one or two real women and the shadowy possibilities of many more – women whose work may have been misattributed to male artists and whose names may have been obscured by the historical records.

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Kerryn Goldsworthy

Kerryn Goldsworthy

Kerryn Goldsworthy won the 2013 Pascall Prize. A former Editor of ABR (1986–87), she is one of Australia’s most prolific and respected literary critics. She taught for almost two decades at the University of Melbourne. Her publications include several anthologies, a critical study of Helen Garner, and her recent book Adelaide, which was shortlisted for a Victorian Premier’s Literary Award in 2012. In November 2012 she was named as the inaugural ABR Ian Potter Foundation Fellow. Her Fellowship article on reviewing, ‘Everyone’s a Critic’, appeared in the May 2013 issue of ABR.

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