Philip Salom

Simon Patton interviews Philip Salom

Australian Book Review
Thursday, 03 September 2020

Award-winning Western Australian poet Philip Salem is both surprised and delighted by the response to his first novel, Playback. Simon Patton spoke to him recently during a brief visit to Melbourne.

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Philip Salom reviews 'Rocks in the Belly' by Jon Bauer

Philip Salom
Thursday, 20 August 2020

The two narrators in this intense novel are the same person at different ages: the child of eight years who struggles against sibling displacement; and his twenty-eight-year-old self, scarred by his early years and obsessively revisiting them. The narrative documents these two periods of emotional turmoil in the unnamed protagonist’s alternating monologues. This anonymity may signify a lack of a more integrated self, and will not be a problem for the reader. As reviewer, I will simply use personal pronouns when referring to him.

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The Fremantle Arts Centre Press is an example of what a state-oriented press can do. Under intelligent guidance and with sympathetic but not irresponsible state funding assistance, it has now established a solid reputation for publishing good­looking and worthwhile books. If west coast writers are now better known in the east than they were several years ago, this is only partly due to their qualities as writers, good though some of them undoubtedly are. It is also because the Fremantle Arts Centre Press has actively encouraged and promoted west coast writers, giving them the confidence that only professional book publication can.

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From the very beginning of The Rearrangement the reader is involved in themes which will play repeatedly through the poems: learning, knowledge and memory, and the way in which these work to satisfy, or frustrate, a metaphysical sense of order, even truth. 

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How different can two books be? Peter Rose’s first book, The House of Vitriol, is one of the first off the rank for the new Picador poetry series – and a sign of things to come. It is mercurial where Lehmann is mild. Rose’s style is very distinct: gaudy and revved up from the start.

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Brenda Walker reviews 'The Returns' by Philip Salom

Brenda Walker
Tuesday, 27 August 2019

A bookseller, Trevor, sits in his shop in Melbourne making conversation with his customers: an exasperating mixture of confessional, hesitant, deranged, and disruptive members of the public. One man stalks him, armed with an outrageous personal demand; another tries to apologise for assaulting him. The apology is almost as unnerving as the attack ...

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Michael McGirr reviews 'Waiting' by Philip Salom

Michael McGirr
Thursday, 24 March 2016

I first encountered the work of Philip Salom in the pages of The Penguin Book of Modern Australian Poetry (1991). Anthologies, of course, have their limitations, but they can be a great place to meet people. Salom's first poem in that book, 'Walking at Night', includes an image of the urban sky: 'Streetlights glow overhead / Like the teeth of a huge zipper; ...