Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Mireille Juchau

What does it mean to narrate the humiliations of ageing, loneliness, and death in the first person when your background is working class? For such a writer, saying ‘I’ is political too, said Annie Ernaux in her Nobel Prize lecture, because it involves claiming an authority rarely granted in other parts of life. Ernaux uses her incendiary, affectless ‘I’ not just to recount one individual experience, but to transcend it. For ‘I’ to speak to the reader it must become, she says, ‘transpersonal’.

... (read more)

I have a recurring dream about discovering an enticing space in my own home – a basement or garden – always just out of reach. Its residue is an elated sense of creative possibility. I like the sign the symbolist poet Saint-Pol-Roux put on his door before sleep: Poet at work.

... (read more)

From the opening pages of Mireille Juchau’s new novel, The World Without Us, we know we are in the hands of a poetic writer in control of language and ready to invest every sentence with resonant detail. In this scene, two of the central characters encounter each other at a river above a waterfall:

Now the water was strung with ...