When John Tranter reviewed Jennifer Maiden’s first collection, Tactics (1974), he noted its ‘brilliant yet difficult imagery’ and a style ‘so idiosyncratic and forceful in a sense it becomes the subject of her work’...... (read more)
Jennifer Maiden’s first books, Tactics (1974) and The Problem of Evil (1975), introduced a fantastically complex and enquiring poetry, with strangely fragmentary assemblages of character wrought from conflict. Both books were partly inspired by television’s gory nightly footage of the Vietnam War ...... (read more)
Jennifer Maiden’s latest book, The Metronome, is essentially part of a series that could be dated to the appearance of Friendly Fire in 2005 ...... (read more)
Peter Kenneally reviews 'The Fox Petition' by Jennifer Maiden, 'Breaking the Days' by Jill Jones and 'Exhumed' by Cassandra Atherton
From the cover of Jennifer Maiden's latest book (The Fox Petition, Giramondo, $24 pb, 96 pp, 9781922146946), a wood-cut fox stares the reader down. This foreign, seditious animal is the perfect emblem for Maiden's examination of the xenophobia, conformity, and general moral diminution that she sees around her. Giramondo have given Maiden the liberty of an a ...
Our second 'Poem of the Week' for 2016 is 'Clare and Nauru' by Jennifer Maiden. ABR's Poetry Editor, Lisa Gorton, introduces Jennifer who then discusses and reads her poem.... (read more)
Jennifer Maiden’s eighteenth book of poetry bears yet another title punning on war (remember Tactics, The Problem of Evil, The Occupying Forces, The Border Loss, Acoustic Shadow, Friendly Fire). Her umbrella themes – politics, power, evil, the public and private selves, war, and the role of art – are back. The title is ...
Nothing is whiter,
like clouds with the sun inside them.
Nothing is smoother,
like clouds and the moon beside them.
Years ago when John Forbes praised
my later work, he said my Problem
of Evil was influenced by Tranter’s
Red Movie, and being younger and furiouser,
I rang Forbes and explained P. of E.
Emboldened by sharing, briefly, the same
publisher as Frieda Hughes, I looked up
an article on her latest collection, found
a photo of her living room, which seemed