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Children's and Young Adult Books

The world’s last known Tasmanian tiger died in Hobart Zoo in 1936. Surviving film footage of the marsupial is brief. No sound recordings exist of a thylacine’s bark or cough. Its extinction is one of Australia’s most lamentable tales. Nowra’s sad, dark novel imagines how these carnivores could care for two children lost in the wilderness.

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The Amber Amulet by Craig Silvey & Word Hunters: The Curious Dictionary by Nick Earls and Terry Whidborne

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November 2012, no. 346

Craig Silvey’s The Amber Amulet is a deceptively simple tale that hides many classic themes within its layers. By night, twelve-year-old Liam McKenzie patrols Franklin Street in the guise of super-hero the Masked Avenger, aided (and sometimes hindered) by his sidekick, Richie the Powerbeagle. The prime belief underpinning the Masked Avenger’s doctrine is the enormous potential of dormant energy that is trapped in gemstones and minerals, which hold specific powers. He believes that energy is omnipresent, but as the world is both positively and negatively charged, he is very aware that the balance between good and evil can easily be disturbed, and he is thus constantly on the lookout for ‘Trouble’.

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Creepy & Maud by Dianne Touchell

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October 2012, no. 345

From the first sentence of Creepy & Maud, we know we are entering a volatile world. ‘My dad has trained our dog, Dobie Squires, to bite my mum,’ Creepy tells us. What follows is a vivid peek into suburban isolation and unease. Almost every character has an addiction or psychological disturbance, from alcoholism and untameable aggression to dyslexia and obsessive compulsions. This society is one where children prefer ‘being smacked to being touched’, intimacy is avoided, and voyeurism and exhibitionism emerge as the only ways to connect.

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Good picture books stimulate a child’s imagination. Nick Bland and Stephen Michael King celebrate creativity in The Magnificent Tree (Scholastic, $24.99 hb, 32 pp, 9781742832951). Bonny and Pops enjoy sharing ideas and making things together. Bonny’s inventions are ‘simple, clever and properly made’, while Pops’s creations are ‘big, brave and brilliant with bits sticking out’. Determined to attract the attention of the birds flying overhead, each comes up with a different but equally satisfying solution. King’s bulbous-nosed cartoon characters, minimalist backgrounds, and organic machinery interact with Bland’s thoughtful text to present a gently reassuring tale about intergenerational friendship and creative problem-solving.

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The Shiny Guys, quite a departure from Doug MacLeod’s usually quite light-hearted work, is nonetheless a real success. This foray into the world of mental illness and treatment calls to mind, and even refers directly to, complex works such as The Castle and One Flew over the Cuckoo’s Nest. A book about fear, uncertainty, and suffering, it is rich in complexities but perfectly told for its young adult audience.

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Cecily Lockwood’s heart ‘bounced like a trout’. An arresting simile on the first page of a novel is always a good sign, but will this piscatorial comparison mean anything to young readers? No matter, back to those footsteps climbing the dark stairs to twelve-year-old Cecily’s room, where she is quailing under the bed. She pictures her older brother Jeremy in the next room, his heart ‘flipping and diving’. Ah, so that’s what trouts do. Clever Sonya Hartnett.

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Australian picture books are among the best in the world. Some of our most notable authors and illustrators include Bob Graham, Libby Gleeson, Freya Blackwood, Stephen Michael King, and Glenda Millard. The latest books by these creators are valuable additions to Australian children’s literature.

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Mamang   by Kim Scott, Iris Woods, and the Wirlomin Noongar Language and Stories Project & Noongar Mambara Bakitj by Kim Scott, Lomas Roberts and the Wirlomin Noongar Language and Stories Project

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February 2012, no. 338

Mamang and Noongar Mambara Bakitj are retellings of traditional Noongar narratives by the Miles Franklin Award-winning author Kim Scott, in collaboration with a team of others. The books are part of a broader Wirlomin Noongar Language and Stories reclamation and revitalisation project currently under way in the south-western coastal region of Western Australia, an area roughly traversing Albany to Esperance. Like many other Australian languages today, Noongar is barely hanging on. These modest diglot books, charmingly illustrated by Noongar people in simple, unaffected, and direct style, therefore represent a timely intervention into the continuing post-colonial destruction of this critically (and globally) endangered language.

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Alaska by Sue Saliba & Clara in Washington by Penny Tangey

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December 2011–January 2012, no. 337

Since the publication of Frank Moorhouse’s The Americans, Baby (1972), Australian literature has maintained a tense awareness of its powerful neighbour’s cultural sway over younger generations. Even the ‘Oz as’ Young Adult titles (think of Tim Winton’s Lockie Leonard series) concede, by studious omission, the impact of American cultural hegemony on the teenage imagination in Australia.

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Diverse memories of childhood, ranging from Indigenous and migrant experiences to the Great Depression, permeate these evocative Australian picture books. Admired illustrator Bruce Whatley displays his range of styles in a pair of them; two others are set in Western Australia and Queensland. The potential danger of water is a disconcerting theme.

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