In the opening pages of his memoir, Herbie Hancock recounts an onstage episode in Stockholm in the mid-1960s, when he was playing with Miles Davis. In a few brief paragraphs, he sums up Davis’s genius as only a musician deeply conversant with his music could. It is this sort of privileged entrée into Hancock’s musical world that makes Possibilities a worthy addition to jazz literature.
Des Cowley reviews 'Possibilities' by Herbie Hancock
If you are a single issue subscriber you will need to upgrade your subscription to view back issues.If you are already subscribed, click here to log in.
By this contributor
Leave a comment
Please note that all comments must be approved by ABR and comply with our Terms & Conditions.
NB: If you are an ABR Online subscriber or contributor, you will need to login to ABR Online in order to post a comment. If you have forgotten your login details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to firstname.lastname@example.org. We will review your comment and, subject to approval, we will post it under your name.