The writer is a conductor, opines the 'vaguely handsome, intensely laconic' cowpoke who speaks to Patti Smith as she lingers at 'the frame of a dream'. His words shape Smith's days. 'It's not so easy writing about nothing,' this companion tells her, and she scratches these words over and over onto a wall in her home with a chunk of red chalk.
Felicity Plunkett is a poet and critic. Her first collection of poetry Vanishing Point (UQP, 2009) won the Arts Queensland Thomas Shapcott Prize and was shortlisted for several other awards. She has a chapbook Seastrands (2011) in Vagabond Press’ Rare Objects series. Her new collection A Kinder Sea is forthcoming. Felicity was Poetry Editor for University of Queensland Press and edited Thirty Australian Poets (UQP, 2011). She has a PhD from the University of Sydney and her reviews and essays have been widely published in The Australian, Sydney Morning Herald, Australian Book Review, Sydney Review of Books etc. Her essay ‘Sound Bridge’, a portrait of Indigenous Australian musician Dr G. Yunupingu, was first published in Australian Book Review and anthologised in Best Australian Essays 2015 (Black Inc, ed. Geordie Williamson).
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September 1984, no. 64
The Boy Adeodatus: The portrait of a lucky young bastard by Bernard SmithReviewed by Warren Osmond