Ross McMullin

Just over a decade ago, Ross McMullin published Farewell, Dear People (2012), a magisterial biography of ten remarkable Australians killed in World War I. The book met with much acclaim, including the award of the Prime Minister’s Prize for Australian History in 2013. Life So Full of Promise, a sequel to this volume, provides three more biographies of men whose early lives suggested that they would have made extraordinary contributions to Australian public life, had they survived the war.

General ‘Pompey’ Elliott was a famous Australian in 1918, half forgotten seventy years later, and is now a national military hero. This Anzac Day he stood high. On French soil he was praised by France’s prime minister, Édouard Philippe, in one of the most mesmerising and sensitive speeches ever offered by a European leader to Australian ears ...

Ross McMullin’s Will Dyson is a new edition of a book that first appeared twenty years ago. Over that time,  the author has promoted his subject, according to the book’s subtitle, from ‘Cartoonist, Etcher and Australia’s Finest War Artist’ to ‘Australia’s Radical Genius’. ‘Genius’ is a strong word, and the new edition does not make a case for its use any more than the old one did. But Dyson is certainly an important, often unregarded, figure in the history of political cartooning. The story of this talented, likeable, thoroughly political man is well worth knowing on many fronts: as a saga of early Melbourne working-class bohemian culture, as an example of the invigorating effect on English political cartooning by antipodean artists in the early part of the twentieth century (the career of David Low shadows that of Dyson), and as an account of the way that World War I registered on a sensitive, and responsible, Australian imagination.

In September 1929 John Monash, ex-commander of the Australian Corps in France, sat down to reply to his former subordinate, Harold ‘Pompey’ Elliott, a National Party senator and militia major-general. Elliott had asked why he had been passed over for a division in 1918. What ‘secret offence’ had he committed that General Birdwood, the English chief of Australian forces, had denied him advancement? Monash was disturbed that Elliott’s sense of injury should be so raw a decade after the guns had fallen silent. In a tactful, compassionate reply, he set aside the idea of a secret offence and gently reminded Elliott that others, too, had had complaints, and had left them behind. The affection of their men mattered more than honours: ‘This same affection and confidence you have enjoyed in rich measure, and no one can question that it was well deserved. After all, you commanded a celebrated Brigade during the period of its greatest successes … Then why worry as to the verdict of posterity upon so brilliant and soldierly a career?’